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My new house is in the early stages; it is barely framed up but I'm already dreaming of my dream kitchen.
Yesterday I went to our one big appliance store (other than HD and Lowe's) and I think I'm going to go wild with the new units.
First up I'm thinking of a Sub-Zero side by side. A Thermador 30" slide-in dual fuel range, a Bosch d/w as well as a new m/w and a new hood of a type yet to be determined. All this is really overkill since I'm by no means a big presence in the kitchen, and these expensive appliances do not define the home which is really rather modest. But I'm figuring this is my last rodeo, if you will.
I have heard of some folk having trouble with Sub-Zero repairs so I plan to add a warranty protection plan..
Anyone have any negative experiences with any of these brands?\
ETA: I have been reading reviews online about Sub-Zero fridges and I may have to re-think that choice. Those reviews are not good.
Much as I'd like to have a custom-size I'm beginning to have grave concerns about repairs.
I am in the process of packing up my kitchen—we’re about to demo and remodel—and am sorting about 20 years of accumulated cookery bits into pack/donate/trash categories. Which led me to an article from the expert advisors at Epicurious, “The 9 Kitchen Tools You Need to Replace Every Year,” in which they advocate for an annual household purging of Microplanes, cutting boards, paring knives, dish towels and more (ideally replaced via convenient affiliate links).
Two questions (at least) arise from this:
How much cheese and nutmeg grating does it take to dull a Microplane? I haven’t noticed a diminution in mine’s powers, and I’m pretty sure it’s at least decade old. Is there anything that you do replace annually on principle, regardless of its condition?
For the record, I don't think they're wrong about sponges.
(Also, Hello! I’ve been away from eGullet for quite a while and am ineligible to post a Welcome Our New Members Thread, but I’m a domestic dabbler in Portland, Ore. Mostly stovetop and sous vide of late, since my ovens have been out of commission for a few years… looking forward to getting my bake on soon).
Recently I picked up a few different types of emulsifiers in bulk powder form when I saw them in passing at a catering wholesaler.
Having never used powdered emulsifiers before in cooking or baking, I figured I'd find pretty comprehensive instructions for their use on the web - but I can't.
I'm not a stranger to food science but nor am I a chemist. I understand that emulsifiers are at least sometimes prepared by pre-mixing them into a (heated?) liquid or fat and then using the resulting solution in the actual recipe, which may explain why a lot of commercial emulsifier mixtures are packages as tubes of gel or paste. I've also checked several industry-level textbooks about emulsifiers and while they are fantastic for in-depth explanations of the chemistry behind each emulsifier, they do not (as you might imagine) provide guidance on how a lowly baker or cook would actually use a powdered form.
So does anyone know how to prepare and use a dry powdered form of any of the following in a real recipe?
Specifically I am most interested in enhancing baked goods and adding stability to sauces, but would also like to know how to use them for other processes such as sausage-making too.
E471 Mono- and diglycerides of fatty acids E481 Sodium stearoyl lactylate E482 Calcium stearoyl lactylate E472e DATEM (diacetyl tartaric acid ester of mono- and diglycerides)
I cooked two turkey breasts sous vide. This year had access to the Meater+ thermometer probe which I managed to vacuum seal in the bag without difficulty (it is small). Since it works wirelessly I was able to monitor and it records the internal temperatures at the thickest part of the breast.
I thought the results were interesting. I cooked at 60C for 8 hours. I have always used https://www.chefsteps.com/activities/a-better-way-to-turkey-cook-that-bird-sous-vide-for-the-best-feast-ever which gives long cooking times at lower temperature. I have found that as according to this page https://www.seriouseats.com/recipes/2014/11/sous-vide-turkey-breast-crispy-skin-recipe-thanksgiving.html that 55C gives turkey which is just a little too pink for most tastes. Over the last few years have increased the temperature up to 59/60 and I find it perfect - very moist and tender, but pale not pink.
See attached images. I changed my mind a couple of times and started at 58 then 60 then 59 again, so ignore the slight variations. The thing I found interesting was that the thickest part (of a large breast) reached 55C in around 1 hour 40 mins and target of 59 in 2 hours 30 mins. Now I appreciate that sous vide is a combination of temperature and time or duration, but the data make me think that around 4 hours would be sufficient, as per the seriouseats table. I have previously used the chefsteps 55-58 for their much longer advised times, up to 12 hours and the meat is still quite pink at the end, so I dont believe 55 for 12 hours would effectively be the same.
From now on I will watching the internal temperatures with interest. This has always been the (relative) unkown for sous vide amateurs.
It’s the first day of cooking in Alinea's Food Lab and the mood is relaxed. We’re in a residential kitchen but there’s nothing ordinary about it. Chef Grant, along with sous chefs John Peters and Curtis Duffy are setting up. The sight of the 3 steady pros, each in their chef’s whites, working away, does not match this domestic space. Nor does the intimidating display of industrial tools lined up on the counters. While the traditional elements are here in this suburban kitchen: oven, cooktop, sink, so too are the tools of modern restaurant cookery: pacojet, cryovac machine, paint stripping heat gun…wait, a paint stripping heat gun?
In the physical realm, the Food Lab is a tangible space where the conventional and the unconventional are melded together in the quest for new culinary territory. With Alinea’s construction under way, the team must be resourceful. This meant that renting a space large enough to house both the office and the kitchen aspects of the food lab was out of the question.
The decision was made to take over a large office space for the research and administrative aspects of Alinea and transform a residential kitchen into the Lab. Achatz and the team would work three days per week at the office researching all aspects of gastronomy and brainstorming new dishes, while managing the project as a whole. The remaining time would be spent in the kitchen executing the ideas formulated at the office. “At first I thought separating the two would be problematic,” says Grant “but in the end we are finding it very productive. It allows us to really focus on the tasks at hand, and also immerse ourselves in the environment conducive to each discipline.” The menus for opening night—containing as many as 50 never-before-served dishes--must be conceived, designed, tested and perfected. The Alinea team does not want to fly without a net on opening night.
On a more abstract level, the Food Lab is simply the series of processes that continually loop in the minds of Chef Grant and his team. While there is no single conduit by which prospective menus--and the dishes which comprise them--arrive at Alinea, virtually all of them start in Chef Grant's imagination and eventually take form after brainstorming sessions between the Chef and his team. Menus are charted, based on the seasonality of their respective components, and the details of each dish are then laid out on paper, computer or both and brought to the kitchen for development. In this regard, the Food Lab provides something very special to the Chef and his team. “We consider the food lab a luxury,” says Grant. Once Alinea is open and the restaurant’s daily operations are consuming up to 16 hours of each day, time for such creative planning (aka play) will be scarce. Building a library of concepts, ideas and plans for future menus now will be extraordinarily valuable in the future. Otherwise, such planning sessions will have to take place in the 17th and 18th hours of future workdays, as they did when the Chef and his team were at Trio.
Today, several projects are planned and the Chefs dig into their preparations as soon as their equipment setup is complete…
Poached Broccoli Stem with wild Coho roe, crispy bread, grapefruit
Stem cooked sous vide (butter, salt, granulated cane juice)
Machine-sliced thin bread
Dairyless grapefruit “pudding”
Dried Crème Brulee
Caramel orb shell made with bubble maker and heat gun
Powdered interior made with dried butterfat, egg yolks, powdered sugar & vanilla
Peeled grapes on the stem
Peanut butter coating
Wrap in brioche
Micro-grated, roasted peanuts
Instant Tropical Pudding
Freeze Dried Powders of coconut, pineapple, banana
Young coconut water spiked with rum
The steps required to comprise each dish are, as one might imagine, intricate and numerous. For the Poached Broccoli Stem, Chef Grant begins by separating the broccoli stems from the florets. The stems are stripped of their fibrous exteriors and pared down until they are uniform in size. Grant comments on the use of the second hand part of the vegetable: “This dish started with the roe. Every year we receive the most amazing Brook Trout Roe from Steve Stallard, my friend and owner of Blis. Typically, we serve the eggs with an element of sweetness. I find it goes very well with the ultra fresh salinity of the week-old roe. This time around we wanted to take a savory approach so I began looking into complimenting flavors in the vegetal category. About the same time, our group had a discussion about secondary parts of vegetables and the stem of broccoli came up. I had a past experience with the stem and found it to be very reminiscent of cabbage. Knowing that cabbage and caviar are essentially a classic pairing, I felt confident that we could work the dish out. Now I'm struggling to decide if this is a broccoli dish or in fact a roe dish, I think they really battle for the top position and that helps makes the dish very complex."
Chef Grant processing the broccoli
The stems are placed in a polyethylene bag, along with butter, salt and granulated cane juice. The bag is sealed with a cryovac machine
The sealed stems are placed in a 170 degree F water to cook, sous vide, until extremely tender; about three hours
Broccoli stems after cooking
The crisp bread element is fabricated via the use of an industrial deli slicer. Chef Grant then brushes the sectioned pieces of poached broccoli stem with eggwash, affixes them to the thin planks of brioche and places them in a fry pan with butter.
Grant's mise...not your ordinary cutting board
Poached Broccoli Stem and Crisp Bread cooking
Ready for plating
A bright green broccoli puree is made with a vita-prep blender. Here, Chef Grant "mohawks" it onto china given to him by Thomas Keller
Smoked Coho roe has arrived via Fed-Ex, courtesy of Steve Stallard
Chef Grant devises a plating scheme for the Poached Broccoli Stem while Curtis looks on
Chef Grant ponders one potential plating of the dish. He called this incarnation 'predictable' and started over.
Another plating idea. This version is garnished with broccoli petals and ultra-thin slices of connected grapefruit pulp cells. The yellow petals are stand-ins for what will ultimately be broccoli blossoms
Grant is still displeased at the dish's appearance. "The dish tastes as I envisioned it....texturally complex, with the crispness of the bread, the soft elements of the floret puree and stem, and the pop of the eggs. The buttery richness from the bread gives the stem the flavor of the melted cabbage I loved at the [French] Laundry. And the hot and cold contrasts from the roe and broccoli …I like it…..I just don’t like the way it looks.” Another attempt and the group agrees, it is better but not “the one.” The use of the thinly sliced cross sections of peeled grapefruit energizes the group. In the next rendition, they make small packets with the ultra thinly-sliced grapefruit containing the roe...
A third plating configuration for Poached Broccoli Stems; this one featuring the packets of roe wrapped in ultra thin sheets of grapefruit pulp cells
At this point the team decides to move on and come back to it next week. After some conversation they decide that in the final dish, broccoli will appear in at least 5 forms: poached stems, floret puree, some raw form of the stem, the tiny individual sprouts of broccoli florets, and the blooms. Grant feels that Poached Broccoli Stem could be ready for service, although he still envisions some changes for the dish that will make it even more emblematic of his personal style. “Our dishes continue to evolve after they hit the menu. It is important for us to get to know them better before we can clearly see their weaknesses.”
The thought for the dried crème brulee originated over a year ago when a regular customer jokingly asked for a crème brulee for dessert. “He said it as joke, I took it as a challenge,” says Grant. "Of course, we never intended to give him a regular crème brulee.” The team tried various techniques to create the powder-filled caramel bubble while at Trio to no avail. An acceptable filling for the Dried Crème Brulee has been developed by the Chef and his team but several different methods, attempted today, to create the orb from caramelized sugar have been less than 100% successful.
Caramel blob awaiting formation. Chef Curtis kept this pliable by leaving it in a low oven throughout the day
Chef Grant’s initial idea to use a metal bubble ring and heat gun (normally used for stripping paint) to form the bubbles does not work as hoped. Attempts to fashion them by hand also come up short.
Says Grant, “At Trio we tried a hair-dryer. When Martin told me about these heat guns which get up to 900 degrees F, I thought we had it for sure. If it was easy everyone would do it I guess.” Eventually, Alinea partner Nick Kokonas garners the task’s best result by positioning a small, warm blob of sugar onto the end of a drinking straw and blowing into the other end. The results are promising. Curtis suggests using a sugar pump to inflate the orbs. That adjustment will be attempted on another day.
“We intentionally position whimsical bite in the amuse slot, it tends to break the ice and make people laugh. It is a deliberate attempt to craft the experience by positioning the courses in a very pre-meditated order. A great deal of thought goes into the order of the courses, a misalignment may really take away from the meal as a whole.” For PB&J, the grapes are peeled while still on the vine and then dipped into unsweetened peanut butter. They are allowed to set–up, and then they are wrapped with a thin sheet of bread and lightly toasted. When the peeled grapes warm, they become so soft they mimic jelly. The composition is strangely unfamiliar in appearance but instantly reminiscent on the palate. PB&J is, according to Grant, virtually ready for service. There are a couple of aesthetic elements, which need minor tweaks but the Chef feels very good about today’s prototype.
Chef John peels grapes while still on their stems
Peeled grapes on their stems with peanut butter coating
Chef Grant studies the completed PB&J in the Crucial Detail designed piece
Often, creative impulses come by way of Alinea’s special purveyors. “Terra Spice’s support over the past couple of years has been unprecedented, and it has accelerated with the start of the food lab,” says Grant. “It is great to have relationships with people that think like we do, it can make the creative process so much easier. Often Phil, our contact at Terra, would come into the kitchen at Trio and encourage us to try and stump him on obscure ingredients. We always lost, but not from lack of trying. He even brought in two live chufa plants into the kitchen one day.” The relationship has developed and Terra team has really made an effort to not only search out products that the chefs ask for but also keep an eye out for new ingredients and innovations. In August, Phil brought by some samples of products that he thought the Alinea team might be interested in trying.
Phil of Terra Spice showing the team some samples
Coconut powder and other samples
Grant recalls “the most surprising item to me was the dried coconut powder. When I put a spoonful in my mouth I could not believe the intense flavor and instant creamy texture, it was awesome.” That was the inspiration for what is now Instant Tropical Pudding. The guest is presented with a glass filled with dried ingredients. A member of the service team pours a measured amount of coconut water into the glass and instructs the guest to stir the pudding until a creamy consistency is formed.
The rum-spiked coconut water being added to the powders
At the end of the day, the Chefs assess their overall effort as having gone “fairly well.” It’s a mixed bag of results. Clearly, the fact that things have not gone perfectly on Day 1 has not dampened anyone’s spirits. The team has purposely attempted dishes of varying degrees of difficultly in order to maximize their productivity. Says Grant, “Making a bubble of caramel filled with powder…I have devoted the better part of fifteen years to this craft, I have trained with the best chefs alive. I have a good grasp of known technique. The lab's purpose is to create technique based on our vision. Sometimes we will succeed, and sometimes we will fail, but trying is what make us who we are." The team's measured evaluations of their day’s work reflect that philosophy.
According to Chef Grant, “The purpose of the lab is to create the un-creatable. I know the level at which we can cook. I know the level of technique we already possess. What I am interested in is what we don't know...making a daydream reality.” With little more than 100 days on the calendar between now and Alinea’s opening, the Chef and his team will have their work cut out for them.
A special thanks to eGullet member yellow truffle, who contributed greatly to this piece
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