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slkinsey

eGullet Society staff emeritus
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Posts posted by slkinsey

  1. Sherry-Lehmann carries it at $34.95/bottle.  They also have the Maison Brillet Pineau des Charentes at $17.95.

    Sweet! Will have to procure some (although I am swiftly running out of room to hide bottles around the house). For pineau cocktails, of course, there's always the Per Se house cocktail.

    Sam, have you tried that pear martini? From what I've tasted of the Belle de Brillet, I'm thinking it might taste better with lemon rather than lime.

    Haven't tried it yet for lack of any Belle de Brillet. But it intrigues me. Lemon does seem more like a natural to me, but I'd like to try it with lime first. I have to assume they've not making it that way for no reason.

  2. I would love to know where to find some of this in Manhattan.

    Liz: Check out a copy of Cocktails in New York by Anthony Giglio. There is a recipe in there for the "Pear Martini" they serve at Blue Ribbon made with Belle de Brillet, Absolut Citron and lime juice. According to this SF Chron article by Gary Regan, it's made with 2 ounces Belle de Brillet, 1 ounce citrus vodka and 1 ounce fresh lime juice (shake with ice and strain).

  3. My recipe is currently at 62.5% hydration. Any suggestions on how high I should go? Also, any insight into their basic ingredients (type of cheese, sauce, etc).

    Make sure you include some oil, as this will tenderize the crust. You could also maybe bump up the hydration to 65%. Very important, I think, is to do a lengthy fermentation and to retard the dough in the refrigerator.

    As for the toppings, Patsy's uses a very light hand with the toppings. This is important when the crust is so thin. They have two kinds of cheese, you cen have either fresh mozzarella or low moisture mozzarella. The sauce strikes me as a cooked puree of tomato without much in the way of herbs, garlic or onion (perhaps a bit but not much). The sauce is fairly dark in color, so I think it is likely cooked a fairly long time. You can find some good pictures of Patsy's pizza making set up here in the NY Pizza Survey thread.

  4. I am almost positive that Patsy's East Harlem (the only Patsy's worth copying) uses a strong flour, most likely with some oil to tenderize it. This is common in the neo-Neapolitan style, and just about every pizzeria that is not a Neapolitan-style specialty place uses strong flour (even some of the "new Neapolitan places like Franny's use strong flour). Any time you see someone stretching a pizza dough in the air, flipping it around and pulling it aggressively, it's a strong flour. Pizzaioli working with soft flour doughs tend to do their stretching of the dough on the bench.

  5. I'll be interested to hear what she says. As far as I understand it (and especially given that the EU is a member of the IOOC), the IOOC sets the standards. This is supported by reading through the "What's the IOOC" pages on the IOOC site. They are desribed therein as the "intergovernmental organisation in charge of administering the International Olive Oil Agreement." The EU is a party to this agreement.

    Here's a quote I found that sounds relevant:

    Truth-in-labeling laws in the olive oil industry are loose at best. For instance, the phrase "cold-pressed" is obsolete, but manufacturers continue to use the term. "Anyone can put anything he or she wants on a label—cold-pressed, handpicked, picked at midnight—and there’s no system to verify the accuracy of these statements," Nicola Ruggiero, president of Unaprol, an Italian olive oil association, told The Report, a 60-Minutes–type program produced by the Italian television station, RAI.

    All the laws, as far as I know, that have to do with the legal classification of grades of olive oil have to do with the percentage of oleic acid present in the oil, with "extra virgin" meaning not more than 0.8% by weight.

  6. How much money do you want to spend and how much do you want risotto to be the focus of the meal? Town, for example, has a brilliant escargot and black truffle risotto starter. San Domenico has an excellent risotto as well, and a more Italian orientation than town. I haven't had, but hear very good things from people I trust about Gray Kunz's "risotto with mushroom fricasee," which can now be had at Cafe Cray. All are expensive.

    The Kunz's "French style" risotto may be an interesting variation that your risottophile friend hasn't yet experienced. It comes in two parts: the bowl of creamy well-executed herbed risotto and a pot of wild mushroom fricasee to fold into the risotto as you see fit. Here is what Hal Rubenstein at New York Metro had to say:

    The rustic opulence of risotto is perfect for Kunz, and he studs it with shards of wild mushrooms, their liquid drenching the velvety rice grains with their smoky perfume.
  7. It's usually best to add a short quote for posterity:

    "Oh, you flatter me," she says wryly as she slices through an apple. She adds a few splashes of liquid to a couple of glasses: some whiskey, some Campari, a mysterious pinkish liquid and then a bit more whiskey. She slices some lemon rind. Then she crushes the mixtures with a wooden utensil and adds some more ingredients. Frank and Irene are mesmerized. Straub shakes the drink vigorously over her head and tries some with a spoon: "I pronounce it good!"

    She pours the drinks into a Collins glass, garnishes it with mint, cucumber, curly lemon rind and a hibiscus flower, and places the colorful, fresh-smelling cocktails in front of the excited couple.

    Here is a recipe from the article:

    The Sharpie

    1.5 oz : gin (Hendrick's is mentioned)

    2-3 oz : fresh grapefruit juice

    Juice of 1/2 lemon

    1-2 Tb : superfine sugar or equivalent simple syrup*

    0.5 oz : Green Chartreuse

    Dashes of orange bitters and maraschino liquor to taste

    * she infuses her simple syrup with grapefruit and lemon slices, cardamom and lavender

    No instructions are given, but one assumes the ingredients are combined with cracked ice, shaken and strained into a chilled cocktail glass.

    Also discussed is what she calls "bitter sugar" -- grapefruit peel, cardamom, bay leaf, ginger, nutmeg, cinnamon, sugar, hibiscus flower and "her own secret ingredients" boiled way down and added to drinks a drop at a time. Sounds interesting. Like a sugar-infused bitters rather than the usual alcohol-infused kind.

    The Orbit Room Cafe was featured in the SF Chron in 2003 for "best cocktails under $6."

    At this unassuming bar on Upper Market, the bartenders are such dedicated mixologists that they infuse cucumber vodka in their spare time. You can order cocktails here that will get you blank looks at most other bars, like Aviations, Caiparinas, or even Pimms Cups. And unbelievably . . . the Orbit Room won't break your bank.

    Anyone been to her place? Sounds cool.

  8. You can also keep Gin in your freezer, which helps in chilling your cocktail, along with taming the aromatics a bit.

    Hmm. I generally think this is bad advice. If the gin is chilled to freezer temperatures, then the drink is not sufficiently diluted by the melting of ice. Try mixing two Martinis, both with two ounces of gin, one half-ounce of vermouth and a dash of orange bitters. Mix one drink with gin from the freezer and one with room temperature gin. I think you'll find that the Martini mixed with room temperature gin is better.

  9. My favorite easy pasta sauce is one that JosephB reminded me of a while back. It's since joined our regular rotation as the default quick sauce.

    1 large can San Marzano or other best-quality tomatoes, roughly crushed; 3-4 tablespoons cold butter; 1 medium yellow onion, peeled and cut in half, salt. Throw everything in a cold pan, turn the burner on medium low, bring it slowly up to temperature and simmer (total ~30 minutes). Discard the onion and use the sauce.

    Looks like this when it's done.

  10. Do you know anything about or have any experience with the Cuisinart Chef's Classic Non-Stick Hard Anodized cookware?

    No direct experience, but the principles tend to be the same.

    Cuisinart lists it at 50 microns thick. I googled and found a description at another site that lists a 3mm thickness. (same thing?)

    A micron (aka micrometer) is 1/1,000,000th of a meter, so 50 microns is equal to 0.05 millimeters. This undoubtedly describes the thickness of the anodized layer. The 3 mm figure would appear to describe the total thickness of the cookware. This is okay, but nothing to write home about. Similar to Calphalon.

    The store just got it in and it's already marked clearance. They had an 8" skillet for $24 Cdn (which is probably about $2 US, so how can you go wrong?). They also had a 10-piece set for $199 Cdn. Amazon has a 7-piece set listed as 62% off.

    For $24 Cnd you can hardly go wrong with the fry pan. Fry pans are the only pans that I think are worth getting with a nonstick coating. I don't think there are any positives to having nonstick in a saucepan or stockpot, and some negatives (namely the coating eventually wearing out). If you want to improve your cookware, I think you're better off buying it piece by piece over time as you need it. This way you can buy better (which usually means more expensive) stuff from different manufacturers that best suits your cooking practices and needs. I've never known someone to be entirely happy with a preconfigured set. On the other hand, as you say... it is hard to go wrong for $200 Cdn. :smile:

  11. I don't think you're going to find anything that gives you that "maraschino cherry red" color without the use of food coloring. This is a color that does not exist in nature. No reason you couldn't make some brandied cherries (or perhaps soak the cherries in maraschino liqueur) for use in cocktails, though.

  12. [The Peg Club cocktail] sounds like it will have a strong gin taste...am I using the wrong brand? (Gordons).

    Gordon's definitely has an emphatic gin taste. You could always try it with one of the lighter flavored varieties (Tanqueray Ten seems to work well for the gin-shy) until you develop a taste for gin. IMO, it's one of those things, like coffee perhaps, where you just have to decide to like it and revel in the flavors.

    Is that you in the pic?  Getting an early start?  :raz:

    Absolutely. That's me having a drink of Haut Brion at the tender age of 1. I'll let you extrapolate the time period from my outfit as well as the fact that Haut Brion could be had for a reasonable price.

    I stand by Mr. Wondrich's Pegu Club recipe but I hold Mr. Kinsey and Mr. Hess in equally high esteem so by all means be sure to read the Pegu Club thread and note their preference for a less tart version.

    Oh yea, it's a good recipe. But there is some question as to whether it is really representative of what a Pegu Club is supposed to be. In recent conversations, it turns out that the earliest recipe he could find actually called for a teaspoon of Rose's instead of regular lime juice (not that I am advocating that particular substitution). Dave's version is very tasty, though. I like them both.

  13. It's hard to give any advice without tasting, but my initial reaction is that it doesn't have very much in common with a French 75. A French 75 is gin, sugar and lemon juice on ice topped with champagne.

    The first step in improving the drink would be to decide whether you think it's a good idea at all. If you think it's worth working on, then you should decide what it is that you don't like about it.

    From what I can gather, you didn't like the brandy part. Okay, delete the brandy. Maybe replace it with something else, or just leave it out.

    Beyond that it's harder to make any guesses. There's an awful lot going on in your drink. If I were you, one of the first things I'd do is thing about ways to simplify it. Even some of the more complex-sounding drinks can often be reduced to three ingredients. For example, Audrey's Tantris Sidecar has cognac, calvados, Cointreau, lemon juice, simple syrup, pineapple juice and Green Chartreuse. Seems complicated. But when you break the drink down, it's just a three ingredient drink: the cognac and calvados combine to be a sort of apple-brandy (that's 1), the Cointreau, Chartreuse and simple syrup combine to be a sort of herbaceous orange liqueur (that's 2) and the lemon and pineapple juices combine to be a slightly different flavored lemon juice (that's 3). Of course, the composite flavors she created for each one of the three constituents work both by themselves and in combination, and that's important.

    With your drink, it's not clear from reading it where the flavors are supposed to be going. In my own practice -- and in full recognition of my own limitations in this regard -- I rarely use more than three flavors when trying to come up with a new drink. Fewer flavors means it's easier to make adjustments. Some day I'd like to do a roundtable discussion with a few cocktail pros about methods of approach for creating new cocktails and turn it into an eGCI class.

    One question I have is why you're using the pear eau de vie. I would think that the flavor of the pear cider would completely obscure any contribution of the eau de vie. Also, adding pear flavor to pear flavor doesn't seem all that interesting. Not quite sure how the raspberry flavor of Chambord is worked in either.

    What would you want to change about it?

  14. Tonight, BLT Fish threw a cocktail party to celebrate the imminent opening of the more formal third floor. They served great food. As soon as I got upstairs, I started on a three-tiered platter of shellfish. My total oyster consumption for the night was 32; scallops, 9; and clams, 7.

    Thirty-two raw oysters?!

    Sniff.... I'm so proud of you JJ.

  15. Since Liz put Sidecars in my mind, but finding myself without brandy, I made a variation tonight: an Applejack Sidecar. 2 ounces Laird's blended applejack, 1 ounce GranGala and just unded 1 ounce fresh lemon juice. I'd love to try this with Laird's bonded applejack. Since the blended applejack is a little rough around the edges, I used GranGala instead of Cointreau to give it a bit more roundness. Very nice!

  16. For you Aviation fans out there that have already done some experimenting, what is your favorite brand gin to use in the drink?

    Tanqueray is very good, but I have a fondness for good old Gordon's gin. It's got a nicely emphatic piney-ness that I like in drinks like the Aviation.

  17. Yea... at some point we get into the whole question of how much does the cocktail have to change before it's no longer a Sidecar. Using GranGala instead of Cointreau is close enough, I think. But the Cherry Smash strikes me as more Sidecar-inspired rather than a Sidecar variation. On the other hand, it's probably no more a deviation than Audrey's Tantris Sidecar -- perhaps less. Here is a link to a recipe for the drink, which seems to contain Courvoisier VS cognac, orange curaçao, Schladerer Edel Kirsch, lemon juice and muddled brandied cherries.

    The thing that's so great about a classic formula like the Sidecar is that it can be the basis for so many diversions. It's just brandy, triple sec and lemon juice. Substitute maraschino for the triple sec? You've got a totally different drink. In fact, it's almost impossible to go wrong with some variation of the classic combination of base liquor, orange liqueur and citrus. That's how I came up with the "Eighteenth Century Cocktail" which, while nowhere near as complex or inventive as the sorts of things a real pro like Julie or Audrey can come up with, still turns out to be the most popular drink I've ever thought up.

  18. We note that an article on the Mint Julep by Gary Regan appeared in the 2004 year end edition of Entree and is now available online. Gary is in the "don't muddle the mint" camp.

    . . . I don’t crush the leaves when I make mint juleps.  At Cocktails in the Country we use Buffalo Trace of W.L. Weller bourbon, sweetened with a little simple syrup which we pout over crushed ice, stirring the drink lovingly, and adding more ice as we go along until the Julep Cup is properly frosted.  Then we add so much fresh mint to the top of the drink that the ice and whiskey disappear from view.  Each student takes three short straws which they must insert into the cup far enough to make it impossible to sip without burying their nose in the mint.

    Personally, I'm in the "lightly muddle" camp myself. Mint infused simple syrup or pre-infused "minted bourbon" is right out, though.

    I know that this is heresy and I fully expect to be buried under a large pile of rocks, but has anyone tried a Julep with brandy instead of bourbon? Folks in the South were making them like that even before there was such a thing as bourbon, and I have to say, it's really not bad. It helps to use a decent cognac, and--to add to the heresy--tip a tablespoon or so of dark Jamaican-style rum on top. I wouldn't try it that way at the Derby, though.

    Dave, I know I'm responding almost a year late, but I don't see anything wrong with using brandy (and/or rum, applejack, rye, peach brandy... even gin). As you point out, they were made with any number of base liquors back when.

  19. Gary Regan's column in the SF Chron today talks about guess what? The Aviation.

    The Aviation Cocktail, which dates to the 1930s, is a simple drink calling for gin, maraschino liqueur and fresh lemon juice -- but it's the maraschino that makes this cocktail stand tall. Many people who haven't tasted maraschino liqueur assume it's overly sweet, like maraschino cherries, but good maraschino liqueur -- available under the Luxardo and Stock brand names -- is far drier than the name might lead you to believe.

    Made from Dalmatian Marasca cherries, pits included, maraschino adds a little sweetness and a wonderfully dry, peppery nuttiness to cocktails. There's a hint of cherries in the flavor profile, too.

    The recipe he gives is the same as in his book, and it's the one I prefer:

    2.0 oz : gin

    0.5 oz : fresh lemon juice

    0.5 oz : maraschino liqueur

    Shake with ice and strain into a chilled cocktail glass (I like mine with the addition of a lemon twist garnish).

    Gary's recipe actually bumps up the amount of maraschino from the more historical formulae, such as this one from cocktailDB which calls for 2 oz gin, 1 oz lemon juice and only two dashes of maraschino. This sounds like an excessively sour drink to me.

    No mention in the article of the creme de violette history Dave mentions above (which sounds so cool and makes so much sense I have to find some creme de violette).

  20. Writer and eGullet member Elizabeth Johnson has a great article about the Sidecar that came out today in The Journal News.

    Like its classic cousins the martini and the Manhattan, the sidecar is enjoying a comeback. Young drinkers, weaned on cosmos and chocolate martinis, are turning to older, more sophisticated drinks — and finding they're liking them.

    + + +

    Cocktail meccas in Manhattan like the Flatiron Lounge and Bemelmans Bar are serving new versions of it, as are such restaurants as BLT Steak, which has a 6 Train Sidecar made with armagnac, and Lever House, which makes a Calvados Sidecar.

    "Once in a while you come across a recipe that will literally last forever," says George Delgado . . . "It will hibernate, and sometimes a twist of an ingredient or two will bring it back to life — and that brings the awareness of the original."

    There is also a nice section on Audrey Saunders and her popular variation, the Tantris Sidecar. She gives a recipe for a standard Sidecar (Dave will be happy to note the 2:1:1 ratio, and I was happy to note that the glass is put in the freezer to firm up after the rim is sugared) as well as one for Audrey's Tantris Sidecar.

    Thanks to Liz for a great article!

  21. I don't think there is such a thing as "Ruski Vodka."

    What I have heard of is called "Stolichnaya Lemon Ruski." It's been around since something like 1997, and I have seen it marketed as "a unique blend of wine flavor, genuine Russian vodka and lemon flavor." It's around 5% ABV and is Stolichnaya's entrant in the "premade 'cocktail' market" where it competes with similarly odious products such as Bacardi Breezers, Smirnoff Ice, Jack Daniel's Country Cocktails, etc.

    In other words, it's Russian Zima.

  22. To generally address a few points here:

    1. Contrary to some opinions, I think it is a bad idea to let the starter "age and become more sour" before adding it to the dough. The reason for this is quite simple: by the time a starter is becoming noticably sour it is already well bast peak growth conditions and the population of microorganisms is actually beginning to die down. When you mix the starter together with the dough, you want the yeast/lacrobacillus population as large and healthy as possible so it can do its thing.

    2. One way to add a big slug of acid to your dough and still use a healthy starter is to "pre-ferment" a separate piece of dough. In this case, you would mix up about 1/4 of your eventual bread recipe, inoculate it with the starter and let that ferment until it became very sour (e.g., 24 hours). Then, when you mix the final dough you can mix the pre-fermented dough (full of acid now) together with the remaining 3/4 of the flour/water from your bread recipe and an inoculum of fresh starter. It is possible, however, to make a very sour loaf of bread without adding any "soured dough" simply by using a strong flour and doing a lengthy fermentation.

    3. The sourness of bread is largely determined by the ash content of the flour. Sourdough lactobacilli aren't so much affected by acid concentrations, but they are affected by low pH. Flours with a higher ash content have greater buffering power and therefore are able to accumulate more acid before the pH gets too low (growth is inhibited at pH 3.8 and acid production stops at 3.6). This is why whole wheat doughs tend to be more sour than white wheat doughs (whole wheat has a much greater ash content).

    4. It may also help to add a bit of diastatic malt powder to your dough. One reason that rye flour produces such strong fermentations is that rye flour has high enzymatic activity which breaks down the starch into sugars that can be consumed by the yeasts and lactobacilli. White wheat flour has comparitively low enzymatic activity, and it is possible that the organisme simply run out of food before they can produce enough acid to be inhibited. Diastatic malt powder includes diastase, which is an enzyme that breaks down starch into sugars (thus providing food for the microorganisms to do their thing).

    5. One thing you have to be aware of is the fact that acid breaks down gluten. So you need to have a very strong flour with lots of gluten if you want to go extra-sour.

    6. To improve the crumb of your bread, I would encourage you to go with more hydration as others have suggested. You might also experiment with retarding the dough in the refrigerator. I like the effect retardation produces. I also find that a slightly cold dough has less tendency to deflate when slashed and produces a much more dramatic oven spring -- both of which would probably help with your "healing slashes" problem.

    7. I'm not entirely convinced on the whole "rising at high temperature" thing. Here is a chart of representative growth rates for sourdough lactobacilli and yeasts:

    gallery_8505_416_48651.jpg

    Up to about 28C (82.5F) we have fairly similar growth rates for yeasts and lactobacilli. Yeast growth is increasingly inhibited above 28C, with no growth at 38C (96.8F). If one wanted to create temperature conditions that significantly favor lactobacteria over yeast 30C (86F) would seem to be the ideal dough temperature. However, this is problematic for a number of reasons: First, if the temperature dips much below 30C there is not much effect and you're going to a lot of trouble for nothing. Second, if you go much higher than 30C you're getting into an area where the yeast is significantly inhibited, which is not so good either. Third, remember it's the dough temperature that counts, not the ambient temperature. It's not as easy as you might think to keep the dough temperature right where you want it, and it's very easy to undershoot or overshoot.

    Fundamentally, though, I think the temperature manipulation method is based on some flawed assumptions. First, it is not the case that the yeasts do all the leavening while the lactobacilli only produce acid. In fact, scientists estimate that the lactobacilli typically do about half of the leavening. So, if the premise is that a temperature condition that favors lactobacilli over yeasts gives the bacteria more time to do their souring thing before the dough is leavened, that is unlikely to be significant. Second, as explained above, the sourness of the bread is largely determined by the buffering power of the dough, although the enzymatic action of the dough (as it affects the available food supply) and the gluten content of the dough (as it affects the dough's ability to maintain integrity and leavening after gluten is degraded by acid) are contributing factors as well. I've managed to make some loaves of mouth puckering sourness fermenting entirely at around 50F.

    To be honest, though, I don't think sourdough breads should really have that one dimensional up-front sourness like so many supermarket brands do. A mild sourness and greater complexity of flavor is more what I'm after.

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