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John Whiting

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  1. I feel about food much as I feel about music. If I were to go to a recital in Spain and the pianist played Mozart, my response would not be, "Why isn't he playing Falla?" It would be, "Is he playing Mozart so well that I'm glad I came?" At MVA Mary and I only casually remarked on the "American" connection. What engrossed us was how very well the meal was conceived and prepared, how much we enjoyed it bite by bite, and how satisfied we felt when we left, without feeling bloated. It was all perfectly familiar -- not mind-blowing or archetypically Gaullic -- but it was a manifestation of my favorite benchmark, a better standard of ordinariness. Of course, price enters into it as well. If our meal at MVA had cost the same as a menu degustation at l'Arpege, we would not have come away smiling. EDIT: A general observation, addressed to no one in particular: A lot of the pretentious nonsense talked about food results from the fact that journalists must come up every week with some strikingly original observation about the pleasurable but mundane necessity of filling their stomachs. Their publications are city-based and city-led. In Britain, Ludlow is a community in which food is very important. There are excellent shops and world-famous restaurants. But could you imagine a food critic as a regular columnist in the local paper?
  2. I -- and Marlena, if I understood her correctly -- were saying that, dining at Mon Vieil Ami, we were reminded of certain aspects of contemporary California/US cuisine. That does not imply any sort of causal relationship, it only registers a personal response.
  3. Last week in Paris, when the temperature was moderate and the rain almost constant, Mary commented on the same thing. French scarves are like the careful use of punctuation marks in a sentence -- they give form and proportion to a boringly conventional structure.
  4. Un oiseau dans la bouche vaut la peine deux dans la main, I always say.
  5. Pre-whitings-writings website posting...
  6. This is crucial, and it's central to the history of "fusion" throughout the ages.
  7. It's reassuring when one's impressions are reenforced by a fine bouche.
  8. From my own review:
  9. There are at least two levels going here. One is the commercial; i.e. what can one claim to have invented in order to promote one's restaurant to the press. The other is the level at which chefs -- or at the deeper level, cooks as a whole -- take advantage of the same world-wide communication that prevails in every discipline. It was at this elemental level, if I understood correctly, that Marlena was observing a simple but also profound correspondence. Many European chefs have now spent time at Chez Panisse, for example, and have taken what they experienced home with them. They haven't stolen or even borrowed secrets, they have only added to their knowlege in ways which are subsequently incorporated into what they do in the kitchen. EDIT This was written without having read Marlena's previous posting. The fact that we're saying much the same thing without communicating may have some small significance.
  10. Marlena and I wrote up Mon Vieil Ami in much the same way without having compared notes, which we haven't for several months. It is the same recognition of creative communication between France and America which inspired Raymond Bland to devote an entire week to exploring its ramifications in "The American Food Revolution", which has been examined in some detail here on eGullet. We're well past the point of establishing precedence. We have always lived in a world of "fusion", and it now takes place with such rapidity that we can't even write as fast as it happens.
  11. Marlena's point, if I understand it, is that there is now such close communication among international chefs that one is free to trace lines of mutual "influence" without searching for a pointless precedence as to who was first. Forget the verbiage -- I can only say that half-a-dozen years ago at Beurehiesel and a week ago at Mon Vieil Ami the food "talked to me" the way it did at Chez Panisse. Marlena's husband Alan's instinctive response is, for me, a reenforcement.
  12. Vitamin E indeed. Adelle Davis was recommending that half a century ago. For a painful but not serous burn (a threat of blistering) we take a couple of Vitamin E capsules, immerse the burn in cold water for a few minutes and then, if it's still painful, prick a vitamin E capsule with a pin and squeeze the liquid onto the burn, leaving it open to the air. It works. It also helps in the healing of cuts.
  13. Pre-website posting
  14. Re Sophomore Jinx: For the perfect meal, everything has to be right; for the failed meal, only one thing need go horribly wrong.
  15. I too will avoid political comment, though there's much here that I would agree with. But I will add a personal observation. Growing up in the 1930s, my favorite breakfast cereal was puffed wheat. My father bought the cheap own-brand variety from the small local branch of A&P. From age six or seven I would plead with him to buy Quaker puffed wheat -- not because I thought it tasted better but because radio advertising during the kids' serials had convinced me that my contemporaries would think me a cheapskate. I never discussed it with them; it was entirely within my own head.
  16. Exactly. And it's true also of their paying policies -- the promptness with which they pay their bills. Food writers I know who have worked for them tell me that they are among the best employers in this area as well. It's no accident that Waitrose/John Lewis are a partnership as opposed to a corporation. As one of their executives once said, "We are run by shopkeepers, not financiers." This means that they can balance the profit of one part of their operation against another, for instance using their hand-wrapped artisanal cheeses to support the makers and to contribute to the "tone" of the whole operation, without being forced by an eagle-eyed accountant to maximize profit in every single area. We shop regularly at several Waitrose stores of varying size and location. For instance, we get supurb Sheepdrove organic chickens from their large new store in Mill Hill. If we can't turn the clock back to the long-gone local merchants, we can at least turn it forward to those modern institutions -- including ethical stores, farmers markets and direct internet sales -- that offer a realistic alternative.
  17. John, I'm sorry your second visits to Le Duc de Richelieu and Les Ormes were anticlimactic. I'm about to write them both up in glowing terms for my website, crediting your Paris restaurant summaries as my vademecum. We visited the Duke for lunch on two successive days -- my wife's idea, with which I didn't argue -- and were equally happy on both occasions. We even toyed with the idea of taking a simple hotel room around the corner for a week and working our way through the ardoise. Did you read the framed newspaper clipping on the wall which told something of Le Duc's genesis, or rather the demise of its predecessor? I snapped it to read later but my focus was so bad that it's illegible.
  18. There have been recent reports that the restaurant has improved and is now quite good, but I haven't been in many years. For an unhappily negative response from a week ago, see my "Eating History" thread, immediately adjacent.
  19. Eating history Chartier Allard Chartier and Allard are two famous Paris eating places which have survived for over a century serving much the same food throughout most of their history. Chartier is a no-frills ancestor of the fast food restaurant – fast in turnover though not necessarily in preparation or cooking time – whose splendid old panel-and-mirror interior seems remarkably grand for the working class clientele who were once its principal customers. Today it is a must-see Mecca for tourists which nevertheless continues to serve up culinary classics at rock-bottom prices to locals who lunch there every day because it’s about as cheap as a civilized sit-down establishment can be. Chartier keeps costs down by sticking to its long-established repertoire and refusing credit cards, which would skim the cream off its modest mark-ups. For this Paris trip Mary and I made Chartier our first lunch stop. We were immediately struck by its pleasantly efficient bustle. Having been asked whether we preferred smoking or non-smoking – the first time ever in a French restaurant! – we were shown to an empty table for four, where our effort to sit together on one side was pleasantly but firmly corrected. The house procedure was that we should sit opposite each other on the seats next to the wall, so that a later-arriving couple could easily join us. They had probably established decades ago that this was the most efficient seating arrangement; who were we to question it? The slate at the front door proved to be for show; we were given printed menus from which to make our selection. It would be pleasing to report that we ate well for little, but sadly we got approximately what we paid for. Mary’s vegetable soup for just over a euro was thin and watery, green from some unknown vegetable which imparted color but no flavor. My duck-and-orange pâté tasted of neither duck nor orange, a crude but bland product that would not do credit to a supermarket. Mary’s roast chicken had been cooked through but kept too long, so that it had dried out and begun to harden – freshly rotisseried chicken from almost any Paris stall would have been tastier and juicier. My rabbit came with a pleasant cream sauce but would have benefited from enough cooking to allow the meat to be removed from the bone without a struggle. The noodles tossed in butter which accompanied it were the most satisfying item on our collective plates. No doubt those who eat regularly at Chartier will have discovered a selection of dishes that satisfy them, but casual customers may well find themselves dining unhappily on pig-in-a-poke. But go by all means, if only for the ambiance and for the waiters, who are traditionally dressed, highly skilled and decently polite. You will have experienced a slice of Paris history for little more than the cost of an instant cliché from a sidewalk vendor, and it’s less likely to poison you. In fact you may even strike it lucky – and the dirt-cheap wines by the pichet are better than they have any right to be. -0- Allard has a history of culinary excellence which takes it well beyond the merely picturesque. Its soberly panelled dining rooms will undoubtedly have witnessed the consumption of enough Bresse chickens to stock an infinity of high class butchers. The Guide Gastronomique de Paris 1953 described Chez Allard as Très grande cuisine dans un décor simple. The same year James Beard’s Paris Cuisine noted its “simplicity and quality” and identifies it as “a bistro of the rather expensive category.” Allard settled into more or less its present culinary format around 1935 when a new owner gave it its eponymous name. Though it was sold again half a century later in 1985, the next owner changed nothing and so it retained its long-held reputation for generous portions of classic bourgeois recipes served up to rich foreigners who temporarily forsook their luxury hotels on the right bank to enjoy “slumming it” at a left bank bistro. Today it is neither so faux-naïf nor so astronomically expensive as l’Ami Louis, that fashionably Bohemian bistro which confronts its rich celebrity punters with portions so gargantuan that even Orson Welles or Marlon Brando might have left them unfinished. As a result, Allard is now likely to be the preferred choice of modestly well-off couples who want to eat their way through a whole Bresse chicken and a mountain of girolles without taking out a second mortgage. Knowing its popularity, we made this the one restaurant we bothered to book well in advance. Upon arrival at opening time we could see that the management had conscientiously made every effort to accommodate the maximum of covers. The small square tables along the banquette had no gaps between them. (An old photo of the same wall shows a mix of round and square tables, rather more generously spaced.) The corner table reserved for us was so tightly jammed between its neighbors that it had to be pulled well out before we could be seated: woe betide the diner with a weak bladder. Ignoring the formidable prices, I ordered what I had already chosen: escargots de Bourgogne and poulet de Bresse (2 pers) aux girolles sautées. For her starter, Mary opted for the terrine de canard. To accompany this Circean pig-out I opted for a Pouilly fumé 02, at 33€ one of the cheapest wines on the list. As we waited for our entrées, the restaurant was already filling up with casually but expensively dressed Anglophones. The conversations, mostly in penetrating American accents, included basic culinary questions which suggested that many of the diners were unfamiliar, not only with Allard, but indeed with la cuisine Francaise. The waiters’ haughty disdain was perhaps a conditioned reflex born of long experience. Our starters arrived. The escargots were excellent (at 18€ they certainly should have been) but they were no better than I’ve had all over France at less than half the price. It’s a simple dish which need only be removed from the oven before the snails get tough; with a decent supplier, a generous dollop of butter, a handful of herbs and abundant garlic, its improper preparation would require a positive effort. As for Mary’s pâté, it was fully as good as we routinely make at home following a straightforward Cordon Bleu recipe. The ingredients that fill our large terrine come to about £8, the cost of Mary’s single slice. By now the chair just next to Mary’s – virtually as close as an adjoining seat in Eurostar’s Economy Class – was occupied by an expensively dressed women who immediately took out a packet of cigarettes. Mary very politely explained that she had a serious problem with cigarette smoke. The woman’s equally polite but firm suggestion was, take the matter up with the management; she would refrain from smoking while we were eating, she conceded, but no longer. Our chicken arrived just under an hour after we had ordered it, as well it should at the very least. It was roughly cut up and swimming in its own juice, a sign that it would have benefited from a rest before carving to allow the precious fluid just under the skin to be partially reabsorbed. Its clear color assured us that the bird was cooked to the point of safety, but only just: my attempts to separate the leg meat from the bone were as strongly resisted as if the unhappy fowl were fighting for its life. The parson’s nose, one of my favorite delicacies, refused to come away from the spine; its firmness revealed that its fat was still so solid as to threaten an unpleasant mouthful. On the platter next to the bird was a mountain of sautéed girolles. Mary found them so sandy as to make her grit her teeth, both figuratively and literally. I didn’t notice, possibly because I eat my peck of dirt with a certain fatalism. The flavor of our Bresse chicken, France’s most famous, was as good as that of an anonymous organic bird from Waitrose – no better, no worse. (It was certainly not as complex as the fine specimens from Sheepdrove.) The rich crispy skin was delicious, but its flavor had not penetrated below the surface; even the breast had not been cooked to the point of succulence and the expelling of juices released by its premature carving had left it somewhat dry, resistant to both fork and tooth. Compared with any of our home-cooked birds – tightly enclosed in a chicken brick and slow-braised for several hours in their own juices, then allowed to rest for at least twenty minutes before carving – this excellent fowl had suffered a sadly wasted and unfulfilling death. Nevertheless, at 66€ it merited a struggle. We gnawed our way through all but the back, whose meat I tried unsuccessfully to remove with the dull knife thoughtfully provided. (Tearing it away with our teeth seemed inappropropriately barbarous.) I was about to make another attempt when our waiter suddenly whisked the platter away together with the last few spoonfuls of precious gravy. That was it! The sooner we were out, the better. We could stop at a café for dessert and coffee, and the fag-deprived lady at the adjoining table could then puff away to her heart’s content. We signalled for l’addition, which our waiter brought with a sullen scowl. Our prematurely terminated dinner came to 119€, as large a bill as for any meal of our trip. We found our own coats on the way out, with no help offered by the staff and no smiling farewell at the door. My only pleasure has been to imagine their reaction when they read this review, which will appear close to the top of a Google search if a browser types “Allard Paris”. I shall send them my website’s URL printed on an elegant little card. Chartier, 7 rue du Faubourg-Montmarte, 9th Arr, Tel 01 47 70 86 29, Mº Grands Boulevards Open daily 11:30am – 3pm, 6pm – 10pm Allard, 41 rue St-André-des-Arts, 6th Arr, Tel 01 43 26 48 23, Mº Odéon Open Mon-Sat 12:30-2:30pm, 7:30-11pm. Closed 3 weeks in Aug. ©2004 John Whiting
  20. That's it. A slightly different design, but exactly the same principle. It needn't fit the bird exactly; we often do a couple of little poussins side by side in ours. The bird(s) ends up partially roasted, partially braised in its own juices. And now -- off to Allard.
  21. Steven's response is entirely correct in theory, but I suspect that the practicalities militate againsy very slow cooking except for those restaurants which specialize in it for a narrowly defined repertoire. As for color: whatever the reason, our very slow-cooked meat is never in fact pink. For American readers: a chicken brick, once fashionable but now difficult to obtain, is an unglazed clay pot whose interior is exactly the shape and size of a 4 lb. chicken. Gas 1 in an oven is 275F.
  22. The pinkness is, I believe, the result of a necessary compromise in restaurant cooking. An unavoidable fact is that it is impractical for a restaurant to offer very long slow-cooked meat, unless it is a joint that can be divided into a number of servings, such as mouton de sept heurs. For instance, on Sunday we had, at home, a fine organic chicken which had been cooked for half a day in a brick at gas 1 while we were out visiting gardens. If Allard's poulet de Bresse on Thursday is in this class, I'll be pleasantly astounded. When Rowley Leigh wrote his first cookbook, his title of choice, which his publisher asked him to drop, was Better at Home. EDIT Slow cooked in this fashion, the skin is pale and not crisp, but we consider this to be a small sacrifice. When cold, the meat can still virtually be eaten with a spoon. It is essential that the meat rest to luke-warm before cutting, so that the juices do not pour out.
  23. The venison and kidney pudding for two at St John B&W was supurb. My wife, who grew up in north Lincs and cooks a mean pud herself, pronounced it by far the best she'd ever tasted.
  24. And the photo in the Paris Yellow Pages has this caption: Mystery solved.
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