Ack. Two debates in one. Both veering rapidly off-topic! i) VIZ REVIEWS. I guess where one should have supped depends on what you want from a review. Two positions: a) if you think a review should be a fount of definitive, objective criticism the review should have eaten everywhere, preferably several times. And not just at the starred places. After all you would expect a theatre critic to have read both his shakespeare and his pinter wouldn't you? If a lit. critic should be as widely read as poss, a food critic should be as widely eaten. Industry experience also useful. b) if you think a review should tell you 'would i have fun nite out here' the only real criteria for reviewer is that they should be normal. Indeed, in-depth experience or industry knowledge would be a negative, as these distract from the reviewer's ability to assess the experience as an ordinary punter. After all, food is only a very small part of the overall experience... Atmosphere, setting, service... you don't need to have only been to restaurants to be able to size these up. as ever, the truth is somewhere in between. ii) VIZ OVERWEIGHT AQUATIC POULTRY. Criticising Heston for not being original seems like criticising Messr. Jay (due respect) for not being Elizabeth David. Chefs virtually never doing genuinely original stuff (viz the saying about a great chef being one who discovers one genuinely new dish in his lifetime eg Senderens, lobster and vanilla). I suspect Adria has just lifted the bar a little to high in terms of originality/expectation. bastard. Anyhow, chefs (even Adria) always build on what their predecessors have done, and from what I have seen/tasted Heston is more original than most. ####. ttfn J