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vinobiondo

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Posts posted by vinobiondo

  1. We're going to spend the first week of August in Rome. Our friends insist on dining at Agata e Romeo but I ve seen quite a lot of sad reviews on them. Any comments/recommendantions please ?

    I was in Rome last August and just about everything was closed for vacation. Two places that were open and delicious were perennial eGullet favorite 'Gusto and Michelin 1-star Il Convivio. Both were very good. However, neither is particularly "Italian" and Convivio is quite expensive, but is quite a professional, "destination dining"-type restaurant. 'Gusto has a nice, modern vibe to it, with an attached wine bar and a very reasonably priced wine list. I tried to get in darn near everywhere with a decent rating in either Gambero Rosso or Michelin, and it seemed like the whole rest of the city was closed, so good luck!

  2. I'll agree that Don Alfonso does feel just a little bit tired. Don't get me wrong, I absolutely LOVED this place -- my hypothesis is that the very tired "Italian Grandmother" decor of the dining room unfairly "rubs off" onto the food.

    Compare the boring bordering on ugly decor...

    gallery_26858_1557_125121.jpg

    with the gorgeous food...

    gallery_26858_1557_294358.jpg

    gallery_26858_1557_1090090.jpg

  3. I was imagining your scores in the current American academic grading context -  100-90 an A etc.... In that same environment, an F is an achievement in itself!! The scholastic equivalent of putting a plate of rancid mashed potato down would secure a B+ at some of he fine institutions I've encountered!! There is something deeply entertaining about reading accounts of really really terrible meals, just very glad I'm not the one paying for it.

    That is precisely the intended scale, and there is no grade inflation involved here -- those 90-point meals were damn good.

  4. That sounds like some appalling meal. But why such a high score? Do they get 50 points for letting you in the door? :raz:

    I'm sorry also you didn't manage a reservation at L'Ambroisie. A spectacular restaurant, imo.

    Well, the Eiffel Tower view + pretty decent service gets them most of the way to 50. But the food is certainly nothing better than 9 out of 50.

    Re: Ambroisie, trust me, I'm dying to go. I just wasn't sure that it was the right atmosphere for Melissa, who is a bit of a rookie at fancy food (and, thus, maybe not able to yet appreciate the alleged refined subtlety of L'Ambroisie). Now that I know she is a trooper, I expect that we will be back to Paris for meals at Arpege, L'Ambroisie and a repeat of Le Grand Vefour sometime soon. I'm actually dying to try the almost-all-veg tasting menu at Arpege, but less thrilled about 300+ Euros a head for food alone). Nevertheless, I will pony up to try it.

  5. JULES VERNE

    We had arrived from the US the day before, stopped in for a memorable late lunch at Bofinger, walked by and peered in L'Ambroisie, and then returned to the surprisingly great Hotel du Louvre and crashed around 6:00 p.m.

    We woke up around 4:00 a.m., and took a marvelous Sunday 5:30 a.m. walk through the grounds of the Louvre and the Tuileries. I highly recommend this walk at 5:30 on a Sunday. There is absolutely no one there.

    We wandered up to Les Invalides, and after a breathtaking tour of Les Invalides, it was not a long walk to the Eiffel Tower and lunch at Jules Verne, the Michelin-starred restaurant on the second observation deck. The walk up the Parc du Champ de Mars is inspiring, and the Tower was just as imposing as I remembered it from when I was 11.

    We arrived just as Jules Verne was opening and took the first private-elevator trip of the day up to the restaurant. The room was very pretty in a sort of austere, Scandanavian-type way. The kir royale for an apertif was delicious, the view was breathtaking, and the tasting menu (the "Menu of Discovery") looked appealing. Even our neighbors at the next table -- bizarrely enough, the same German

    couple who had sat next to us at Bofinger the previous day -- were friendly. A promising start indeed.

    At this point, Jules' balloon crashed and its submarine imploded. At Jules Verne, they know how to make a kir royale and petit four or two. Everything in between was bad, and I "discovered" this the hard way. I will say this for Jules

    Verne -- if you have no functioning teeth, this might not be a bad

    option, as there was no texture or crunch to anything on this menu du mush.

    The amuse bouche was basically sour cream and onion dip served with a

    spoon. Nauseatingly rich and weird by itself. It would not be last

    time during this meal that I found myself wanting potato chips.

    The starter was a foie gras torchon with a red fruit compote of some

    sort. The greyish foie gras was nothing short of bad (have I ever said “foie gras” and “bad” in the same sentence before?). The bizarre, nutty quasi-brioche-like bread was worse.

    Next up was the "Terrine of Dublin Bay Prawns with Cucumber Gelee."

    Turns out the prawns were served raw and chopped (wouldn't be my first

    choice, but whatever). We renamed this dish "Salty Slime." It was

    basically a pink-and-green, fishy, saline gelatinous ooze. Totally

    revolting. The taste was bad, but the texture was far worse.

    The day before we left for France, Melissa and I had lunch at my

    91-year-old grandfather's house in Escondido. He cooked, and it was

    delicious. At this point in our Jules Verne meal, Melissa asked me,

    "If this place has one Michelin star, how many stars does your

    grandfather have?" His splendid, made-up-on-the-spot, oven-baked

    chicken (which involved, among other things, Bisquik and gravy powder)

    vastly outperformed J.V.'s Poulet de Bresse with Morels, which was our next course.

    I will spare you the gory details of the remaining courses, except for

    one. The true nadir was the sorbet in the middle of the meal. There was very little refreshment or palate cleansing to be had with the avocado sorbet. That's correct -- avocado sorbet. They also took the liberty of adding a drizzle of unspecified medium-brown sauce on top. Quite a visual. From Melissa: "Wow -- first sour cream dip, and now frozen guacamole -- when will they bring me some chips?" And why we needed sneeze-inducing "Black Pepper Creme Brulee" for dessert is beyond me.

    I honestly cannot think of any meal I've ever eaten in a restaurant that was so terrible on an absolute quality scale. Add in the fact that it cost more than lunch at the French Laundry, and I am sure Jules Verne will have a long reign on top of the "Worst Meals I Have Ever Eaten" List. It was a cute idea -- a Michelin-starred lunch on the Eiffel Tower on the first day in Paris with my comparatively new (5 months) girlfriend. Do not make this same mistake under any circumstances.

    Shellshocked by both the crappy food and the stunning bill, we wandered off to the Arc de Triomphe, stopped for a beer, trudged down the Champs-Elysees in the rain past three-starred Ledoyen (which is so, so beautiful from the outside and, alas, about the same price as Jules Verne for lunch) and back to the hotel. Our vastly-superior-to-Jules-Verne but otherwise unremarkable dinner at a neighborhood place was less than one-third the cost of lunch. How I wish I had booked at Ledoyen. I'm confident that Katie Holmes said "yes" only so she could get out of this culinary embarrassment to a fantastic setting -- after all, she could have had an even better (and reasonably priced) view for 10 Euros up top.

    JULES VERNE

    FINAL GRADE: 59 (F)

  6. I ate the "Menu of Discovery" at Jules Verne on Sunday and I can say without qualification that it was the single worst restaurant meal I've ever had. It was also more than 350 Euros for lunch for two with a bottle of simple Pernand-Vergelesses. The food was so bad that thinking about it makes me gag. I'm not trying to be dramatic, but it was truly shocking. I "discovered" that this is a very poor restaurant - avoid it like the plague.

  7. My own choices:

    Top three in Spain: Combarro, Madrid - O'Pazo, Madrid - Casa Bóveda, Carril, Galicia.

    Top three in Catalonia: Botafumeiro, Barcelona; Casa Gatell, Cambrils; Hispania, Arenys de Mar.

    It's difficult to say 'when' - in summer there's this prejudice against having oysters, but then  it's in summer that tuna fish is best! So good seafood restaurants will always have interesting seasonal fare.

    Let me enthusiastically second the suggestions of both Botafumeiro and Joan Gatell. I had very good experiences at both. You cannot go wrong with a mixed steamed seafood platter at Botafumeiro. Gatell was more "prepared" dishes

  8. My better half and I will be in Rome in a few weeks, our first vacation sans kidlets in over three years, and our first time in Rome!

    We'll be there for four nights, Friday through Monday, leaving very early Tuesday morning.

    I'm looking for dinner recommendations.  I've looked through this thread and a few others, and I've acquired some guidebooks, including the Gambero Rosso, which in book form in English doesn't appear to have been updated since 1999.

    We aren't looking for cheap eats, really.  We only have a few nights and we'd like to splurge a bit if it gets us a truly great experience.  I don't think we really want restaurants that focus on Michelin-style service or on more international cuisines-- we'd like to go to places where Romans go when they want a special night out.  And we've found in the past that we've had wonderful experiences when we've been sent to neighborhoods off the tourist radar for meals, so we're totally open to that too, and I think we'd like to mix it up a bit and eat in a few different parts of town.

    I also don't mean to suggest we want only formal restaurants.  We'd like to get a flavor too for the wine bar and the trattoria.

    I don't think we want to truck out to La Pergola, given the length of our stay.  But I do think we'll try to go to La Rosetta, perhaps on Monday, since they're open.  It's still good, right?

    Formal places like Il Covivio or Le Sans Souci-- any opinions?  Le Sans Souci is very highly recommended in Gambero Rosso (again, from six years ago), but it seems too French for our short Italian visit. 

    I'm thinking Sunday, when most restaurants are closed, might be the perfect night to eat light at the perfect wine bar, and I'm interested in your suggestions.

    It might be nice to eat one night in Trastevere, since I'm told it's a romantic place to walk around in at night.  But I also understand it to be full of touristy bad restaurants.  True?  Asinocotto is highly recommended in my outdated Gambero Rosso.  Any opinions?

    What's the best restaurant in the San Lorenzo scene?  Uno e Bino?  Is it worth going there during a short visit like ours, and is the neighborhood a pleasant place to check out?

    How about in Testaccio?  I want to go to Volpetti out there.  Is the scene still "happening" at night?  Any suggestions? 

    I also want updated opinions on best:

    bakeries

    pizza

    gelato

    And can I book at a restaurant in advance, from New York?  In English?  Or am I better off waiting for my arrival and seeking the help of my hotel?

    Thanks very much for any suggestions.

    Il Convivio is very good, but it is very internationally styled and "Michelin"-type. It probably is not typically Italian enough to give you what you want. The highly-recommended 'Gusto is a totally different concept but suffers from the same problem -- not very Italian. I haven't eaten at Le Sans Souci, but I sense that it is basically a French restaurant in Rome. Again, not what you are looking for.

    I think you'll like La Rosetta or (it's prime competitor) Quinzi e Gabrelli better, but know that these are both first and foremost seafood restaurants.

    -A

  9. Despite not really enjoying the food, I did feel free to eat quite a lot (!), and they kept bringing me food.  Then I got a shockingly precise and complete itemized receipt for every single morsel I'd put in my mouth. 

    I cannot help think that the food cannot have been THAT bad if you had no problems eating "quite a lot" :wink::biggrin: .

    True enough ... it wasn't "THAT bad" at all -- just not wonderful. I'm rooting for the place, and I'll go back if I get a chance, but I overpaid by a factor of three! :shock:

  10. What an amazing writeup, vinobiondo, and that's your first post?! With you restaurant dining dossier you'll more than hold you're own around here.  Allow me to be the first to welcome you to eGullet.

    Thank you very much for you kind words. I'll try to contribute around here (especially in defending Il Desco, Il Mulinazzo and everything within a 50-mile radius of Alba, Piemonte, Italy).

  11. Hello all--

    I'm fairly new to the site, and most of what I can contribute (and have contributed) involves Italy, Los Angeles and Chicago. So I'm very new to this forum...

    I am a pretty serious foodie headed to Paris with my girlfriend for 10 days starting next Friday. This will involve dining at a handful of major temples of gastronomy, including Guy Savoy, Pre Catalan, Le Meurice and Le Grand Vefour. I promise full reports on all four, as well as Can Fabes, Cinq Sentits, Abac, Ca L'Isidre in Barcelona and most of the better places in Mallorca. But I digress. The Paris and Barcelona stars were picked in part because of the question I am about to ask (i.e. this is why we're not going to Pierre Gagnaire...)

    Our 10 days in Paris will also include a number of less ornate and orchestrated meals. Among the up-to-16 lunches and dinners not mentioned above, I am hoping to visit 3-4 bistrots et bistrots modernes that have an appropriate combination of (1) quality, (2) typicity, and, perhaps most importantly, (3) agreeability with my girlfriend's standard American palate/unadventurousness. To wit, she does not eat (1) offal of any kind except for limited amount of foie gras if included in other dishes, (2) raw fish of any kind (a real problem!), (3) non-chicken-or-turkey fowl (except for limited amounts of duck breast/confit if I REALLY encourage her), and (4) probably rabbit (just guessing).

    In her defense, she will enthusiastically dig in for red meat of virtually any kind, charcuterie, cream sauces, stinky cheeses, heavy roasts, lamb shanks, other heavy preparations. It's not the heavyness of the food that will be a problem. She'll probably even eat suckling pig if I don't tell her what it is. And, luckily, she enjoys all kinds of seafood (especially crab), right down to sardines and anchovies, but not raw oysters.

    My point is that there is no f'in way she will eat pieds de cochon, boudin noir, rognons de veau, escargots, tete de ANYTHING, etc. -- even beef cheeks or oxtail will have to be described as merely "beef" until after the meal.

    I have no interest in unnecessarily challenging her, but I do have an interest in not making the bistrot rearrange its menu around us or in making her suffer. For example, I was very interested in going to Au C'Amelot, until I learned that dessert is the only "choice" on the menu. If it's going to be foie gras/huitres/rognons de veau that night, I'm in trouble. I guess what I'm saying is that some level of choice really matters. She'll love the rouget if offered...

    I'm particularly interested in

    Le Regalade

    L'Os a Moelle

    Chez Catherine

    La Fontaine de Mars

    Chez Dumonet

    Ambassade d'Auvergne

    Le Dome du Marais

    Le Coude Fou

    L'Entredgeu

    Mon Vieil Ami

    L'Epi Dupin

    Au Bon Accueil

    Chez l'Ami Jean

    D'Chez Eux

    Cafe Constant

    Chez Jean

    Chez Michel

    Le Repaire de Cartouche

    Au Trou Gascon (ok, I doubt it will work)

    L'Ourcine

    De Lagarde

    But, honestly, I haven't been to Paris since I was 13, which was nearly 20 years ago, so I'm mostly just asking for assistance.

    Also, if there's a Michelin 1-star that is open for Monday dinner that she'd enjoy, I'd love to hear about it. I think Violon d'Ingres (my first choice) is closed. Gerard Besson is nearby and open -- any good?

    We can take the Metro anywhere, so geography doesn't matter too much, but we are staying at the Hotel du Louvre (1er) and Hotel Brittanique (border of 1er and 4e) and walking or a short Metro ride is a nice thing. While we're at it, any comments on those two hotels are welcome...

    Thanks!

    Edited to change "close" to "nearby" in case of confusion

  12. What surprises my far more is the bill, that's approximately what I paid for a meal for three people with three bottles of decent wine. Esposito's restaurant is one of the cheapest Tre Forchette around and its wine list is unanimously considered as one of the best priced in Italy, even by its detractors.

    We can certainly agree on one thing -- the wine list is VERY impressive and very fairly priced (indeed, for wine only, it's better than DA1890 and QP). My 1996 Paolo Scavino Barolo Cannubi was 70 or 80 Euros, as I recall.

    Despite not really enjoying the food, I did feel free to eat quite a lot (!), and they kept bringing me food. Then I got a shockingly precise and complete itemized receipt for every single morsel I'd put in my mouth.

    I'd give it another shot, mostly because Gennaro was a really nice guy, but next time I will be very careful not to assume that anything I am offered is in any way "on the house."

  13. How does Il Desco remain so highly rated? I have never heard one vote in support of the restaurant from anyone on this board or any other by someone who has eaten there.

    Consider me the first. Il Desco isn't El Bulli, French Laundry, Charlie Trotter's, Zuberoa, or (in my book) Mulinazzo, but it blows the doors of just about every other meal I've eaten in Italy or elsewhere. I wasn't there during Vinitaly, which probably helped, but I should concede that it has been a while (I went back to my hotel room that night to check on the Bush/Gore election results, which made for quite a long night). I plan to return this fall and report fully!

  14. Happy you liked it and Cy, I promise I'll write up about any other worthwile Italian restaurants should the occasion come up (sadly not as often as I'd like).

    John, I was wondering if there's any particular restaurants that impressed you last time you were in Campania. Besides Torre del Saracino and Don Alfonso, the surroundings of Sorrento have another two restaurants with a good reputation, Taverna del Capitano and Quattro Passi. Moving southwards I've heard really good things of Nonna Sceppa in the Cilento area. I would have loved to try another one or two between these but time was not exactly on my side.

    I ate at Quattro Passi, Torre del Saracino and Don Alfonso on three consecutive nights last summer. Among them, Don Alfonso was in a class by itself and, very surprisingly to me, the cheapest. Quattro Passi was easily second, but it was most remarkable for the decor and service. Sadly, I was dining alone, for their beautiful, semi-enclosed patio would be a fantastic place to take a not-particularly-epicurean date, and their food, while delicious and beautifully presented, wouldn't challenge a conservative eater and wasn't very imaginative. My lingering memories of Saracino consist of (1) a long (20 minutes) and perhaps too frank discussion with the very receptive and friendly Chef Esposito about how terribly disappointing the meal was -- it is, after all, important to cook risotto past teeth-cracking crunchiness and not cook shrimp to rubber-band-level overdoneness, (2) the truly shocking bill (285 Euros for a very unimpressive meal for ONE PERSON with modest wine and virtually no extras) and (3) a very pedestrian patio setting (I was outside).

    Also in the area is Il San Pietro, in the hotel of the same name. This is a very, very good restaurant, surely the second-best meal I had in greater Amalfi. It is pricey (although my bottle of Galatrona was very fairly priced), but excellent, with a completely breathtaking view. In general, I think this hotel is far superior to Le Sirenuse, with the one drawback being that it is about a mile down the coast out of town.

    In re-reading that, I think I was a little bit hard on Quattro Passi -- it's a fine restaurant, well deserving of it's Michelin star and two forks from GR, and I drove off plenty satisfied. It just isn't anywhere near Don Alfonso quality, except that it's a much, much more appealing setting (I'm convinced that Don Alfonso lost it's third star simply for the horrendous, retirement-home decor).

  15. Happy you liked it and Cy, I promise I'll write up about any other worthwile Italian restaurants should the occasion come up (sadly not as often as I'd like).

    John, I was wondering if there's any particular restaurants that impressed you last time you were in Campania. Besides Torre del Saracino and Don Alfonso, the surroundings of Sorrento have another two restaurants with a good reputation, Taverna del Capitano and Quattro Passi. Moving southwards I've heard really good things of Nonna Sceppa in the Cilento area. I would have loved to try another one or two between these but time was not exactly on my side.

    I ate at Quattro Passi, Torre del Saracino and Don Alfonso on three consecutive nights last summer. Among them, Don Alfonso was in a class by itself and, very surprisingly to me, the cheapest. Quattro Passi was easily second, but it was most remarkable for the decor and service. Sadly, I was dining alone, for their beautiful, semi-enclosed patio would be a fantastic place to take a not-particularly-epicurean date, and their food, while delicious and beautifully presented, wouldn't challenge a conservative eater and wasn't very imaginative. My lingering memories of Saracino consist of (1) a long (20 minutes) and perhaps too frank discussion with the very receptive and friendly Chef Esposito about how terribly disappointing the meal was -- it is, after all, important to cook risotto past teeth-cracking crunchiness and not cook shrimp to rubber-band-level overdoneness, (2) the truly shocking bill (285 Euros for a very unimpressive meal for ONE PERSON with modest wine and virtually no extras) and (3) a very pedestrian patio setting (I was outside).

    Also in the area is Il San Pietro, in the hotel of the same name. This is a very, very good restaurant, surely the second-best meal I had in greater Amalfi. It is pricey (although my bottle of Galatrona was very fairly priced), but excellent, with a completely breathtaking view. In general, I think this hotel is far superior to Le Sirenuse, with the one drawback being that it is about a mile down the coast out of town.

  16. I realize this is a hopelessly out-of-date reply (but perhaps useful in the future), but I'd like to second the recommendation of Al Tuguri. Over six days in July 2004, I ate absolutely everywhere recommended to me by anyone that was (or has been) anywhere near Alghero, and Al Tuguri was easily the best, especially for seafood. The only other place that was worth recommending was Andreini (better decor, better service, much more of a "scene," but weaker food). Just so we're clear, neither of these places is anywhere near Tre Forchette. In my experience, Sardinian food is conspicuously bad by Italian standards.

  17. Vinobiondo, welcome to eGullet. As Kevin said, this is one stunner of a first post to the forums: thank you for the fascinatingly detailed account of il Mulinazzo.

    One minor correction if I may: Mulinazzo is not the highest regarded restaurant in Sicily according to Gambero Rosso. On the 2004 and 2005 guides Il Duomo in Ragusa is no. 1.

    P.S. It is not clear if il mulinazzo wil close or if the kitchen will simply pass in someone's else hands.

    Not to be pedantic, but my 2004 Gambero Rosso gives Mulinazzo an 86 (tops in Sicily) and Duomo di Ragusa an 83 (3rd in Sicily, also behind Casa Grugno at 84).

    Anyway, thanks for your kind words, and I hope to be able to add something to this forum going forward. I have a lot of fond memories, but I won't be back to Italy until the fall (I think Le Calandre is on the menu, as well as maiden voyages to Flipot, Guido, Combal.O and returns to the brilliant Il Desco and Trattoria della Posta and the vastly underappreciated (at least it was in 2000) Giardino da Felicin. After all, there is absolutely nothing like Barolo country in the fall. The food and the scenery might be nearly as good in San Sebastian, but not the wine.

  18. This is my first post to eGullet.

    To be honest, criticism of Mulinazzo was what got me to pay the $50 to get to write on the site.

    Many of you know more about food than I do, but I have been around -- once to El Bulli (great), once to Fat Duck (not so much, but couldn't get the tasting menu), twice to French Laundry (wonderful both times), Berasategui (atrocious), Zuberoa (brilliant), Charlie Trotter's (brilliant), Tru, Arun's, Ambria (three times -- very underrated), Don Alfonso 1890 (splendid), Torre del Saraceno (surely the most overrated restaurant in Italy), Il Desco (perhaps the most underrated restaurant in Italy, except perhaps Trattoria della Posta), Fleur de Lys (worst meal I've ever eaten), Le Cordeillan Bages (really good), to name a few off the top of my head, not to anything in my home city, LA. In two weeks, I'm off on a 23-day tour that will include, at a minimum, Le Grand Vefour, Guy Savoy, Le Meurice, Pre Catalan, Can Fabes, Cinc Sentits, Abac, Ca L'Isidre, and all the best that Mallorca has to offer (assuming my girlfriend is planning well...)

    OK, so I'm name-dropping. I'm only doing it to make a point. I can say with little reservation that Mulinazzo was the single best meal I've ever eaten. As will be explained below, I might have caught them on a particularly good night, but I don't think so. This is a marvelous place, and if it is closing, I'll shed a tear. My after-dinner email (written last July) is attached.

    ++++

    Greetings, all --

    For three reasons, it is with some trepidation that I sit down to

    write this very long missive.

    First, I am an extroverted, heart-on-his-sleeve, enthusiastic guy. At

    times past, I've been somewhat prone to exaggeration and predisposed

    to the unnecessary ranking of things, and I want to be careful neither

    to overstate nor unnecessarily to rank my experience of the other

    night.

    Second, I am limited by words and this feels like a weighty limitation

    right now. There was a completeness that cannot fully be conveyed

    except in the experiencing, and attempting to do so will undoubtedly

    cheapen it.

    Finally, the Heisenberg Uncertainty Principle (from quantum mechanics)

    states that the act of observing an object changes the very nature of

    the object, and I feel that this is queerly applicable here. I fear

    the experience alone has changed the nature of the thing that was

    experienced (as, hopefully, I will bring you to understand), and my

    relating the experience to all of you changes it all the more. The

    discovery and the novelty was a big part of it, and, by telling you

    about it, I'm both preventing you from discovering it yourself and

    also taking all of the novelty out of it. It is as if I am telling you

    about the ending of a great movie before you've seen it. You now won't

    possibly be able to enjoy it as much as I did -- precisely because I

    am telling you about it. And, on the off chance any of you ever try to

    replicate the experience, your expectations will be so inflated that

    it will be impossible not to be disappointed. For that matter, if I

    were to try to replicate the experience, it would be impossible for me

    not to be disappointed. This is why I haven't already tried. Maybe it

    would be better for me simply to say "Go do this." But that wouldn't

    be enough, and even my effusiveness is unlikely to lead any of you to

    make the opportunity for yourself. And so I write...

    On Thursday night, I ate dinner at Il Mulinazzo in Villafrati, Sicily.

    It was the best meal I have ever eaten. It did not have the circus

    atmosphere of El Bulli, the seamless seriousness of Charlie Trotter's,

    or the whimsical opulence of The French Laundry, and the cost of the

    meal was well under half of what one would pay at any of those places.

    There were no truffles, no foie gras, and only trace amounts of

    caviar. There wasn't even any meat, save a garnish of bacon on the

    evening's least remarkable dish.

    That said, the meal had plenty of flourishes. I'm a discerning critic, and

    there's no way a simple, rustic meal would get me waxing this

    rhapsodic. At most 20% of the food was anything that I could begin to

    approximate in my own kitchen, and I fancy myself a very good cook. It

    does not have two Michelin stars (the only two in Sicily) for nothing.

    The presentation of the food was breathtaking, so much so that I took

    pictures of every course except the amuses and the petit fours. That

    said, it had a restraint, an elegance, an authenticity and a humility

    that would be impossible to translate to New York, London or Paris,

    and certainly not to showy Los Angeles. And if it were any of those

    places, it couldn't have been the best ever.

    In researching my trip to Sicily, it became clear that Mulinazzo is

    the consensus gold standard among its restaurants. It is by far the

    highest-rated restaurant in Sicily by both Michelin and Gambero Rosso.

    And so, about a month ago, I made my reservation.

    Villafrati is about 20 miles from my hotel, and I assumed that a

    somewhat expensive cab ride would be involved. When I got here, I was

    told that we were talking about something on the order of 100 Euros

    ($125). Ouch. So I looked into renting a car. This wasn't going to

    result in much of a savings, so I bit the bullet, did a little

    hustling (in a pale attempt to be Sicilian about it), and got the

    price down to 90 Euros. Hardly a victory.

    The winning bidder, Roberto Napoli, arrived to pick me up at 8:00.

    He's a conventionally handsome 31-year-old guy, who had been effusive

    during my overpriced trip earlier in the day but seemed a little

    miffed that I negotiated him out of the extra 10 Euros this time.

    Fortunately, I got him to lighten up fairly quickly (that is, until I

    started asking him questions about the mafia). As we drove down Via

    Francesco Crispi (who, incidentally, is my friend Ann's

    great-great-grandfather), we talked about Roberto's family -- a wife,

    Marchesa, whom he has known since they were three and dated since they

    were 15, and three children: Alessandra (5) and twins Domenico and

    Antonio (4). Pictures were brought out, stories were told. Please keep

    in mind that Roberto doesn't speak English any better than I speak

    Italian.

    My hotel is in north Palermo, and the restaurant is southeast of town,

    and it was 20 minutes before we were close to getting through town

    (Palermo has the worst traffic of any city I've ever visited, but I

    suspect Athens may break that record in about two weeks).

    Truth be told, Palermo is a seedy town. Like any big city, I suppose

    it has its nice parts (for example, my hotel is spectacular), but

    those are overwhelmed by the urban blight of the less nice parts.

    Among European cities I have visited, only in Turin have I seen urban

    poverty of similar intensity, and that was on a much smaller scale.

    I had not yet been through southeast Palermo, and it is the most

    depressed part of the city. South Chicago and Detroit have nothing on

    southeast Palermo, except maybe the element of racial segregation.

    There are massive apartment blocks that look like a cross between

    Cabrini Green and the Soviet-era apartment blocks I saw in Moscow.

    There are dozens of buildings that appear to have been bombed in World

    War II and never repaired. There are a disturbing number of

    half-completed buildings that are no longer under construction, with

    people living in the completed portions.

    Palermo sits between the northern coast and quite a number of hills,

    and as we pulled onto the highway south toward Agrigento and up into

    the hills, the urban blight gave way to rural blight, which at least

    had the virtue of being more pastoral. By now it was golden hour, and

    the sun reflected off the the beautiful hillsides, radiating

    green-gold, broken up by the occasional dilapidated barn or house.

    It reminded me of driving from Roses up the coast to El Bulli -- same

    time of day, same radiating hills, anticipating a fine meal (ok, to be

    honest, not as much anticipation here as with El Bulli...), not

    knowing what awaits me.

    After 10 or 15 minutes drive through the hills, Roberto slows down and

    says, "Here Mulinazzo," pointing out the right side of the cab. I

    didn't even know that we were in the proper town (and I'd been riding

    in the front seat), let alone at the restaurant. There had been no

    signs for either. Glad I didn't rent the car...

    As we pull into the parking lot, I notice that there is in fact one

    faded sign, which looks as if painted in 1977. To be fair, I can

    clearly see the word "Mulinazzo" but have to squint to make out

    "Ristorante." The low-slung exterior of the building is totally

    unassuming.

    I walk in. The interior room is classily understated -- surely the

    most tasteful room of any kind I have seen in Sicily, with dark wood

    floors, oriental rugs, sprays of fresh flowers, wood-framed oil

    paintings and gold curtains. On the tables sit tall, elliptical vases

    each containing three long-stemmed pink roses resting in about 1/2

    inch of water.

    I am greeted at the door by a blonde, Slavic-looking woman in her

    mid-late 40's. She is tan and attractive in a severe, classical way.

    Although it is 8:45, I am the second arrival of the night (within a

    half-hour, the restaurant is 2/3 full -- 9:00 is the dominant

    reservation time here in Sicily).

    They know I am coming and give the impression they are expecting me

    but seem totally ambushed by my attempts to speak English. Seeing the

    light blonde hair, they trot out their best German. Apparently, "Parlo

    l'inglese?" has fallen on deaf ears. Only when I say, "Sprechen Sie

    Englisch?" do they take remedial measures and summon their lone

    English speaker.

    Much later, I learn that her name is Deborah. I would guess that she

    is about 23 or 24, and absolutely beautiful in a very Sicilian way --

    olive-skinned, tall and lean with big, Moorish/Arabic but still very

    feminine features.

    The wine steward is perhaps the second blonde Sicilian I have seen

    since I have been here. He's maybe 26, and his English doesn't extend

    even to "Hello" -- he's like a deaf-mute unless I'm trying to speak

    Italian, to which he, naturally, responds in brisk, unintelligible (to

    me) Italian.

    There is a menu written in nearly flawless English. Along with the a

    la carte choices, it includes two tasting menus: the Menu "Fantasia"

    (60 Euros) and the Menu "Tradizionale" (55 Euros). The "Fantastia"

    menu has some El Bulli-like affectations -- foams and the like. The

    "Tradizionale" menu seems fairly straight ahead. Since there is no

    out-Ferraning Ferran (and that's certainly not why I came here), this

    is an easy choice. I go for "Tradizionale."

    The wine list is downright pornographic -- unquestionably the best

    Italian wine list I have ever seen. I have been trying to stick to

    Sicilian wines while in Sicily, but with those there is a qualitative

    ceiling that one hits pretty fast. This list has 8-10 vintages each of

    Sassicaia and Tignanello, numerous Gaja Barbarescos, Vigna

    L'Apperitas, Redigaffis, high-end Brunellos, etc. The Italian section

    alone is 30 pages single-spaced, all priced to move, irrespective of

    the feeble dollar. You get the idea.

    So I decide to geographically compromise and order the most famous

    wine from south of Rome, Montevetrano from Campania, of which they

    have about seven different vintages. I go with 1997. Even with the

    currency situation, it's no more than what I would pay at U.S. retail,

    but nonetheless comparatively more expensive than some of the other

    gems on the list.

    They bring it out, and I nearly send it back. It has a strange funk to

    it at first and tastes prematurely old. I ask the sommelier (or, more

    precisely, ask Deborah to ask the sommelier) to try it -- not because

    I was sure it was bad, but because I was sure that it was not as

    expected. She reports back that he thinks it is "correct for its age,"

    seeming to imply that this wine doesn't really keep. Who knew? Anyway,

    within 10 minutes, the funk blows off and the wine is great, tasting

    like a mid-80's second-growth Bordeaux -- certainly old beyond its

    years, but as I write this, I realize that's an absurd criticism for

    meofallpeople to levy. After all, in a way I'm sort of old for a 1972.

    OK, OK -- the food. As I see it, there are only two types of eaters

    who might not be impressed by this meal: (1) haters of seafood and (2)

    haters of mint, as they do use a lot of it. Along with the obligatory

    glass of Prosecco, they bring me three amuses bouches. The first is

    two tiny slices of eggplant with ricotta and mint oil. They look like

    little tacos, with eggplant shells and green sauce covering white

    filling. They are indeed very minty, light and delicious, with great

    texture. Amusing...and that's the point, right?

    Next is, as Deborah describes it, "Zee, uh, bayuhbee feeshuh." These

    are (I'm pretty sure) those tiny baby eels that they serve so often in

    Catalunya and southern France - the name escapes me -- the ones that

    look like Chinese cellophane noodles except for the tiny, almost

    imperceptible black eyes. There is some lemon juice on them. The

    texture is great, but the flavor is all lemon. This is one small bite

    of lemon-flavored great texture, and if that's all they are going for,

    then they are achieving it.

    The third amuse is the first indication that I might be in for

    something truly special. It is a "yellow zucchini" puree with balsamic

    vinegar reduction. I generally don't dig squash, but this is

    sweet-'n'-sourly smooth with incredible complexity despite an

    apparently small number of ingredients. I suspect (but can't figure

    out) that there is some secret seasoning at work. It remains a

    mystery.

    OK, that is just the amuses -- three bites and two spoonfuls of food.

    Now on to the six courses I'm paying for.

    What comes next is the most inspired, brilliant dish I have ever

    eaten. Now, for sheer "How the f--- did he do that?"-ness, El Bulli's

    "Imitation Caviar" blows this away. But for elegance of presentation,

    taste, and, comparatively most importantly, resemblance to real food,

    Mulinazzo's "Red Shrimp 'Flower' with Green Marzuelo Tangerine-Infused

    Extra Virgin Olive Oil" takes the cake.

    When I return, any of you that are curious can see the picture I took.

    For now, I will have to try to describe it. It is the most visually

    stunning dish I have ever seen. Out comes a teardrop-shaped plate,

    about a foot long, with the pointed end pointing down at me. And on

    the plate is a painting of a flower. Except it's not -- it's the food.

    The stems are a combination of chives, julienned peppers, and caviar.

    The yellowish middle of the flower is a shrimp mousse timbale,

    surrounded by pinkish petals of red shrimp carpaccio (with an

    undetermined green wrapper on each, just to set it off from the white

    plate) and some geometrically diced red pepper for added color.

    Drizzled over everything is the marzuelo-infused oil.

    Everything on the plate is raw, but the plate itself is very, very

    hot, and it serves to cook (ok, really mostly warm) the ingredients.

    Without being told to do so, I start to eat from the bottom up (this

    is an El Bulli trick). The best description I can give it that it is

    very much like my good friend Julian's outstanding scallop carpaccio

    with sea salt, lemon, caviar and jalapenos (which some of you have

    eaten), except, alas, it is a hell of a lot better. The flavor is

    similar. The seasoning, with textured salt you can crunch, is similar.

    But the marzuelo olive oil and the insane presentation make all the

    difference. At this point, I begin to suspect that I may have

    underestimated this place.

    Next up is "Almond Couscous with Rockfish Soup." Couscous is a staple

    of Sicilian cuisine, due to the historical Tunisian/Moorish

    "influence" on the island (as an aside, it doesn't take long in Sicily

    to realize there's some real truth to Christopher Walken's ...er,

    uh... shall we say... "aubergine-related" comments in "True Romance"

    -- but I digress). It's a nice dish -- certainly the best couscous

    dish I've ever had, but as far as I am concerned that's like saying

    it's the best coleslaw I've ever had. And it's nothing more than that,

    except that he gets high points for presenting a very refined version

    of a local staple.

    My feelings about the third course are very similar. It is a "Fava

    Bean Puree with Bacon". It is surely the best split pea soup I have

    ever had, but I am not really keeping track -- I'd have a hard time

    identifying a silver medalist in this rather minor competition. It is

    also the only dish where if I had the ingredients I think I could make

    something just as good on my own. Sicily has the most incredible

    fennel ("mountain fennel" they call it) I have ever tasted and, while

    present in this dish, I think a bit more would be better. I don't mean

    to be too critical -- I am nearly licking the bowl -- but this isn't

    in any way refined in a haute cuisine sense.

    At this point, I'm thinking that this meal can go one of two ways. It

    can be one great dish leading off a lineup of skilled but uninspired

    local flavors, or it can be inspired work with a few elegant local

    staples thrown in.

    The fourth course settles this. It is the "Fazzoletto" (handkerchief

    pasta) Siciliana and, more importantly, the finest pasta dish I have

    ever eaten. It is as beautiful and as fancy-looking as anything you

    will ever eat, and its visual deconstruction of "pasta con le sarde"

    (pasta with sardines, perhaps the single most traditional and

    important staple dish in Palermitan cuisine, and soon to be added to

    my repertoire) is stunning. It's one of those dishes that you don't

    even have to taste first to know that it probably will change your

    life.

    In the center of the square-ish plate with rounded edges is a sort of

    deconstructed lasagna, with two-inch square "fazzoletto" pasta that

    look like they have been perfectly trimmed with pinking shears --

    perhaps one of Martha Stewart's prison projects -- interspersed with

    the best ever salsa sarde. On top of the stack is a beautiful sardine

    fillet. Along the top of the plate is a dusting of ground nut

    (hazelnut, as I recall). Down each side is a drizzling of brilliant

    green, concentrated fennel-infused olive oil. On the bottom is a line

    of sticky, bright orange sauce with various things stuck in it (fennel

    fronds, pignole, saffron, dried tomato skin), all geometrically

    trimmed and beautifully arranged.

    Every combination -- the pasta itself, the pasta with the sardine, the

    pasta with the fennel oil, the pasta with some elements of the orange

    sauce, the pasta with all of the elements of the orange sauce, etc.,

    etc. -- tastes like a completely different dish, each of them

    delicious. And how the wine-unfriendly elements of this strongly

    flavored dish do not overwhelm the Montevetrano is beyond me, but they

    don't. It is a work of art, a total masterpiece.

    By midway through this dish, I realize that I am in the presence of

    greatness. I am fidgeting and agitated and have begun muttering things

    to myself.

    Sensing my apparent discomfort, Deborah returns - "Eezuh everythinguh

    all right?"

    "No," I say. She looks concerned. "It is much, much better than all

    right." She looks a little bit puzzled, as if she is not quite

    understanding me but thinks I am paying the restaurant a compliment.

    "Your chef is a master," I say. "I have eaten at a number of the

    world's finest restaurants and this is as good as any of them." Now

    she smiles. "Grazie," she says, seeming relieved.

    "No seriously, Deborah, I have been to a number of the best

    restaurants in the world and this right there with them. This chef is

    world class."

    Her eyes well up with tears. "Thank you, I will tell him." She

    hesitatingly starts to walk away, then stops. Now her eyes are visibly

    pooling. "Thank you," she says. "He is my papa."

    "Well, your papa is one of the finest chefs in the world," I say. "I

    hope you are proud of him." She is suddenly totally composed, beams me

    a knowing, radiant smile, and walks off.

    At this point, I'm getting pretty full, as each of these dishes is

    full-sized. Shortly, my main course arrives, and it is stunning.

    It is "Involtini di Mupa," or less elegantly sounding in English,

    "Mupa Rolls" with "Crispy Caponata." Mupa is a white fish of some sort

    -- I have yet to find a translation for it, even using Google. This

    dish is predictably breathtaking in presentation. It looks almost like

    a small burrito, cut in half, except the tortilla is the fish. Inside

    is Sicilian pesto (including mint, raisins, tomatoes along with the

    other stuff) and shrimp. On the side is a Chinese soup spoon full of

    julienned celery gelatin -- thin geometric, translucent strips with

    pieces of celery leaf suspended inside. I pick out a strip and taste

    it. The celery flavor is overpowering -- I wonder how it is possible

    to concentrate the flavor of celery to this degree, especially in

    something that is largely colorless.

    Underneath the mupa roll is the "Crispy Caponata." "Crispy" is not

    quite the right word, and neither is "caponata." It is a perfect 1/4

    inch dice of the various caponata elements, seasoned liberally with

    mint. Apparently, there is some debate about whether mint belongs in

    caponata, but I'm persuaded that it surely does. This is a

    deconstructed caponata, each element crisped up and looking like the

    best mirepoix ever. The satisfying vegetable "crunch" in each

    component is what they mean by "crispy."

    Again, it looks like a beautiful, undersized burrito on top of

    impossibly geometric mirepoix with a side of these gelatin strips in a

    Chinese soup spoon. But it works -- in a way that is so fancy yet so

    elegant, so understated, and so traditionally Sicilian that it

    literally moves me almost to tears.

    By now, I know that this is the best meal I've ever eaten. They offer

    me cheese, but I decline -- too full. The cart has at least 20

    selections, all fascinating (and, to me, exotic) and I'm sure they are

    all brilliantly selected, but there is simply no room at the inn.

    Next are the two pre-desserts. I groan but capitulate. First is a

    lemon granita, which is, as expected, a very delicious lemon granita.

    Simple enough. Next is poached pear with mint ice cream and chocolate.

    Like every else, it is delicious and seemingly effortlessly elegant.

    Thankfully, it is only about three bites.

    The dessert is a "Deconstructed Cassata", a version of the traditional

    Sicilian cake made with ricotta cheese and candied fruit. I don't

    really care for Cassata, but this is great -- the ricotta is done in a

    whipped foam and the candied fruits are all little artworks and there

    is a liberal sprinkling of pistachios, which is always a good way to

    get me to like something. This is all presented on a black plate and

    is beautiful as well (again, there are pictures when I return).

    Finally is coffee with petit fours consisting of tiny pistachio cakes

    and small chocolates. By now, I'm well and truly bursting. But the

    coffee and the sweets are both excellent.

    So that's the food. Incredible.

    But the experience was something more. By now, they know that I think

    this place is outstanding, that I scheduled my trip from Los Angeles

    to make sure that I got a chance to eat here, that I've eaten at a lot

    of other great places, and that I am blown away by the whole evening.

    They have asked me how I heard about the restaurant. I tell Deborah

    that with two Michelin stars, the secret is out. She gives me a look

    that seems to say, "Yeah, that makes sense, but I had never really

    thought about it." She tells me that they are honored that someone

    from Los Angeles would come all the way to Sicily to eat their food. I

    laugh, even though I know she is being sincere. She brings out the

    literature, showing me that Mulinazzo has been recognized among the

    finest restaurants in Italy. Yes, I know -- that's why I am here.

    But in her face, I think I see a realization occurring -- she's

    finally coming to understand that her family restaurant really is not

    simply a better version of the place down the street and that she and

    her closest people have created something truly special.

    As I am getting ready to leave, I overhear her address the severe,

    blonde, Slavic woman as "Mama," and I realize that this is truly a

    family operation. Mama is running the front of the house. And, sure

    enough, the blonde wine steward is the son. Much like my family, he

    looks just like his mom and bears little if any resemblance to his

    sibling.

    I leave, and waiting for me is Roberto's brother-in-law, apparently

    called in for emergency relief. He speaks not a word of English

    (except "brother in law"), and I bundle into the back seat.

    On the return drive home, a certain weight (and not from the food)

    settles in. It is about midnight and pitch black as we drive back down

    the hill from Villafrati -- I know there are dozens of houses

    scattered on those hills, but there's not a light to be seen.

    Soon, we hit the outskirts of Palermo, with the housing projects and

    poverty. As we slow down around a curve, I look out the window to see

    a family of six sitting on a 15th-floor (the road is elevated) patio

    of about 3'x4' in size. There is a sheet put up, acting as a curtain.

    The building is not completed, and the parts that are done are old and

    worn. Behind them, you can see the stark, tiny place in which they are

    living. But they appear to be celebrating, the smiles seemingly

    visible from 50 yards away.

    And at this point, I feel a chill. I realize that eating this meal by

    myself made it, in a way, all the better and, in a way, absolutely

    terrible. I've rarely felt more isolated, jaded, detached, alone than

    I did at precisely that moment in that cab. Here I am, a solo

    blonde-headed American tourist stuck in a cab with an uncommunicative

    driver at midnight in southeast Palermo, returning from the best meal

    I have ever eaten, only 10 miles up the road from third-world poverty.

    It was a beautiful and terrible moment all in one, and not being able

    to share the evening with someone made it all the more stark.

    I have already recommended Mulinazzo to at least 70 people, and I hope

    that by recommending it to you, I somehow don't change it. Perhaps I

    flatter myself in thinking that my enthusiastic visit from so far away

    might have some influence on the place. I hope it didn't, but I

    quietly fear it may have. What I mean by this is that I mostly found

    Sicily to be a very crass, shallow, macho culture, full of hustlers,

    strivers and all the bad stereotypes you probably already know.

    Mulinazzo had an almost monastic restraint about it that was

    brilliant. Unlike most Sicilians, they had no need to tell me how

    great they were, to try to hustle me or strive too much. They let

    their product speak for itself, and didn't even mess it up by giving

    in to the temptation to make the product too talkative.

    I thought about going back and trying the "Fantastia" menu the next

    night (and I did see some of the dishes, which looked very

    impressive), but I decided against it. I'm almost disappointed that

    the chef (Nino Graziano) has given in to this temptation, but I

    suppose he can be forgiven. If you are this technically gifted and

    have any imagination whatsoever, I suppose you have to indulge it in

    some way. I'm just glad that he had let his Menu "Tradizionale" remain

    as traditional and elegant as it is.

    Perhaps I should have quietly enjoyed my food, kept it to myself and

    left -- maybe that would be best for Mulinazzo. And perhaps I should

    say nothing to you and keep it to myself -- maybe that would be best

    for me. But that wouldn't be my way, now would it?

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