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natural food coloring


melmck

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some places (like whole foods) carry an "organic" food coloring paste set. i don't know if that's what you're looking for. i'll try to get the name of the product. otherwise, you could probably make your own for basic colors like green, red, etc. the old school way with spinach leaves and beets and things.

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Just today, I bought a pack of the Dancing Deer colors. They are vegetable color extracts suspended in a sugar syrup. The colors in this pack are "rose madder red," from beets; "orange nasturtium," from turmeric and annato; "yellow light," from turmeric; "sage green," from spinach; and "blue violet," from blue carantho, whatever that is. They seem nice, and also a cut above the basic grocery store colors in that the blue and the red will clearly mix to make purple. (The commercial blue is unfortunately on the green side, and what you get when you mix it with red is usually more like grey than like purple.) I'm thinking of trying them out in meringues later this week, maybe. If I do, I'll report back on the experience.

"went together easy, but I did not like the taste of the bacon and orange tang together"

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  • 2 weeks later...

We're in the same boat - - -> looking for a natural food coloring.

We have been talking to Dancing Deer and even made a road trip to their bakehouse in Boston to talk to them about buying it in bulk. We learned they make big batches periodically and haven't sold it in bulk. They're nice folk (or deer as they call themselves). They're gonna let us know when the make their next batch so maybe we can tag on an order.

In the mean time we just ordered a different kind from Nature's Flavors.

I'll report on the 2 oranges if they work.

Nature's Flavors Website

I have also recently emailed another natural foods company to see who makes their coloring for their products.

Anybody else out there with companies they can get bulk natural food coloring would be great.

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  • 3 weeks later...

Here's the URL of the Nature's Flavor's web site:

http://www.naturesflavors.com/default.php?cPath=72

This company claims to make natural food colors, too:

http://www.enray.com/products.html

When looking for stuff like this, I also tend to rely on business.com.

:Clay

Clay Gordon

president, pureorigin

editor/publisher www.chocophile.com

founder, New World Chocolate Society

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  • 14 years later...

Has anyone used the natural cocoa butter colors from Chef Rubber? How are they compared to their other colors. What about the natural ibc power flowers? Unfortunately they don't come in the full range of colors necessary (no yellow, no white) I have emailed them to ask if they are going to come out with yellow and white any time soon. I would love to be able to get something like their "discovery box" in an all natural version.

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23 hours ago, gfron1 said:

In my digging a while back I stumbled on a major company that's based right here in St. Louis! Sensient. I haven't used them yet but I'm going to reach out shortly.

They have a booth at PMCA every year - I've gotten some samples from them before - I believe that one of the folks from the workshop last year has bought from them - but quantites are large!

 

Here we go - but not the person I recall talking about it.

Edited by Kerry Beal (log)
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1 hour ago, Kerry Beal said:

They have a booth at PMCA every year - I've gotten some samples from them before - I believe that one of the folks from the workshop last year has bought from them - but quantites are large!

 

Here we go - but not the person I recall talking about it.

 

I was exploring us being able to visit during the workshop but all he could say is - how big is your company? He wasn't interested in a small group like us.

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41 minutes ago, gfron1 said:

I was exploring us being able to visit during the workshop but all he could say is - how big is your company? He wasn't interested in a small group like us.

Perhaps they would be willing to give us some samples for our workshop? I still have some of their interference powders. Trying to recall the name of my contact there - but I don't think she's front line anymore anyway.

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I'm just starting out and so I'm looking for really small quantities. I'm really trying to keep everything I do as natural/organic an I can. I'm gonna try some of the Chef Rubber natural colors and see how they work out. I'll post pictures when I have samples to show.

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@Beckykp27 have you considered a more classic aesthetic and not using any colors? You can still achieve beautiful chocolates with moulds, natural garnishes, using a contrasting chocolate for marbling/striping/accent, etc.. I know the siren call to airbrush and transfer sheet is strong but you don't have to go in that direction -- you could market on the beauty of natural & organic.

Edited by curls (log)
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On 2/13/2019 at 12:51 PM, Beckykp27 said:

I've thought about doing that but I'd like to incorporate colors. I'm also having a hard time getting my chocolates as shiny as I'd like, they usually have pretty bad release Mark's. I'm hoping colored cocoa butter will help.

Beckykp27 hopefully you'll get a few more people answering your questions now that the Valentine's day production if over.

 

As far as not getting shiny chocolates... can you post some pictures of your work? What kind of moulds are you using? What chocolates are you using? How do you temper your chocolate? How are you planning to apply colored cocoa butter (manual application / airbrush)? A lot of questions but with more information, we can be offer better solutions.

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I am at the very early stage of learning chocolate making. To answer your questions:

  • I am using polycarbonate molds that oiled with cocoa butter when i first received them and wipe out with a cotton pad in between each use. (I now know that angular molds aren't the easiest to work with but that's what I bought and I love them)
  • I temper primarily using the seeding method in the microwave. I am working in a home kitchen and do not have access to better equipment at this time. I do use a thermometer to ensure correct temperatures. I don't think my temper is the issue.
  • Right now I am mostly working with Ghirardelli 63% as it is affordable and accessible for me.
  • I'm not entirely sure how I will use the CCB when I get it. I will probably use a variety and combination of techniques (I'm learning a lot here and would love to experiment)

 

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Welcome @Beckykp27. Looks like you did indeed pick some difficult molds to start with!.

 

Large flat surfaces are always the most unforgiving and often show release marks. 

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1 hour ago, Beckykp27 said:

That's what I've read. Any tips on how to avoid or minimize them?

Perfect temper, waiting until they are starting to thicken around the edges before popping them in the fridge for enough time to separate. 

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1 hour ago, Beckykp27 said:

That's what I've read. Any tips on how to avoid or minimize them?

 

The problems with that kind of molds are related to their edges.

First of all those shapes tend to be an obstacle to air flow, which is needed for a correct crystalization (you need good air flow to lower the mold and chocolate temperature). I would suggest to put the molds on wire racks and not sheet pans, if you can use a fan to aid air flow then even better. Probably you'll need to put the molds in the refrigerator for some minutes (see Kerry's post).

Second, those edges tend to create a gradient for latent heat of crystalization: chocolate will tend to crystalize more quickly along the mold edges (the local ratio mold_surface/chocolate_volume is much higher), this way there will be much more latent heat formed per unit of time, this can cause the chocolate to go over temperature and loose temper. So you need an effective way to dissipate that latent heat.

Third, the chocolate tends to crystalize more quickly along the edges (getting solid and shrinking) while it's still not crystalized on the rest of the surface, this will create some structural tensions inside the chocolate that can result in cracks.

Some of those molds are almost impossible to get right without a cooling tunnel.

 

 

 

Teo

 

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Teo

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6 hours ago, teonzo said:

Some of those molds are almost impossible to get right without a cooling tunnel.

I was thinking that a cooling tunnel (along with perfect temper) would be the answer but didn't want to look like a smart aleck for suggesting it.  Especially since my reply wasn't going to be a through as teonzo's answer.  

Edited by curls (log)
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  • 1 year later...

I hope it's fine to revive an older thread.. Anyway, I've been reading the chocolate threads and the hundreds of pages. Huge thanks to everyone who has contributed, the help is massive! 

 

I went and bought a Decora (decora.it) polycarbonate mould to test things. These are from cheap dark chocolate with "at least 50% cocoa", and 2% tempered cocoa butter added (today's test will be 1% CB). As can maybe be seen in the picture of the pair, the release marks, is there a "best practices" way of avoiding them? I got those in practically all of them. 

I was also wondering if my tempering seems fine? They're glossier than it seems in the pictures, but when I touch them with warm hands, there's an instant mark. Snap seems fine, I don't know if the cut one illustrates anything to anyone. The fact that I leave instant dulling marks with warm hands, is that telling me the tempering isn't that great? 

 

Process and ingredients: 22-23C room temp, chocolate heated to bit under 40C until melted, cooled to 33C at room, one batch added grated tempered cocoa butter at 2%, the other same tempered cocoa butter but melted at 33.4C until mayo like (under an hour, small SV bags). Into the molds, tapped vigorously to remove bubbles, first batch was put into fridge for 10mins after setting at room for 5mins or so. Second batch I made exact same way except the cocoa butter difference and that batch was molded into the same mold, tapped and then left at room so no fridge. Both at room overnight, released nicely from the mold. 

 

Now I'm also wondering, with the tempered and solidified cocoa butter, does my logic fall apart if I think it makes sense that I can melt it at 33.4C or something like that for easier adding to chocolate? Do the form 5 crystals work that way? From this n=1 experiment, it seems like it doesn't at least harm anything? 

 

Much appreciate the help and thoughts, thank you! 🙏

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5 hours ago, EsaK said:

The fact that I leave instant dulling marks with warm hands, is that telling me the tempering isn't that great? 


It's only telling you that you have warm hands and warm hands leave marks on chocolate. It's always suggested to wear disposable gloves when working with chocolate and be quick when touching your pieces.


About the release marks, it's a problem due to the geometry of that mold. You ask for some hints on how to solve this, you just need to read this same page: a couple posts above I wrote those hints you are asking for.
If you bought only one mold and decide to go on with your chocolate hobby, then better switching to easier molds (domes or demispheres).

 

 

 

Teo

 

Teo

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