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Simon Sunwoo

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  1. Hello Everyone, I am taking this time to reintroduce myself to Egulleteers, now on the Spanish message board (thank God that the Spanish keyboards are more similar to American keyboards than the French) to inform everyone that I have made the transition from France to Spain, or from Provence to Cataluna to be more exact. Yes, I finally decided to pack up my now considerable belongings and see for myself where all the hype of the new Spanish Culinaria is coming from. No I am not at El Bulli, even though one day I might end up being a dead cat (you know what curiosity--anyway) but decided to go for the more "grounded" cuisine of Santi Santamaria at El Raco de Can Fabes. Thanks, in part, to Mr. Buxbaum, to what many of you have written about Spain and its emergence as a culinary tour de force, and to an old colleague/sommelier from my first year at L'Oustau de Baumaniere who now works for Chef Santamaria, I decided to make a reservation at El Raco de Can Fabes. In my last post, Staggaire´s Story, some two years ago on the French message board, I was at the beginning of my culinary odyssey at the highly acclaimed, L'Oustau de Baumaniere, a once three but now two Michelined starred Provencal restaurant. In brief, I had read numerous books on becoming a chef stating the importance of grounding oneself as a cook in French technique, so I discussed this possiblility of doing a stage in France with my chef at the time, Wolfgang Puck. The story still exists to my knowledge on the French board, archived probably somewhere two years ago for those interested. Initially, I was supposed to stay for a short stage (pronounced the French way with a soft "a") for a month but the short stage turned into a 26 month job to which I ended up working as demi chef de partie (not going into the French Brigade system) in both Rotisserie and Garde Manger. In short, I advanced as high as an American staggaire could advance without taking over a "real" title. I wasn´t paid handsomely for my toil, nor was I ever embraced within the organization (not saying their was an anti-American sentiment--just that I wasn´t French), but what I experienced and learned, I feel to be invaluable. In the end, I had a very comforatable life in Provence, with many advantages and benefits, but I knew that it was time to move on. So with a higher appreciation for Provencal cuisine, wine and life (all pretty much synonomous), I decided I wanted to see the bigger picture of French cuisine. So, I asked the owner of Baumaniere, Jean Andre Charial, for assistance in placing me into one of the many Parisian starred restaurants (Pierre Gagnaire being at the head). He responded by saying he would try and then I waited and waited and waited--to no reponse. Later when I wore out all patience, I asked him the possiblility of working in a three star in Paris to which he replied--en bref, je ne pouvais pas t'aider. The problem was I wasn´t European. That is exactly when I took matters into my own hand and initiated a new game plan. First, I would mail out a curriculum vitae to all the restaurants I wanted to work at, then follow up with a personal visit to all the restaurants and then if necessary beg and plead. All this was unneccessary in the end, when by chance an old acquaintance/colleague now close friend showed up at Baumaniere and mentioned he was working for a three star in Spain. My eyes lit up and so we got to talking and more talking...to which it was settled, I would eat there and present myself. We made a reservation and thus the process was set in motion. I talked a friend, another sommelier from Baumaniere, into driving down and joining me to eat at Can Fabes. I think the conversation went something like, "hey there's a three star next to Barcelona, do you want to go" to which he responded "Barcelona, three star, party %&$/ yeah! You need to take off an extra two days" Well obviously the meal itself was extraordinary and with some interesting Spainish wines, a Gramada white and Penedes red, I was sold. The only real problem, apart from actually getting a chance to work there, was apart from some of the more--lets say inappropriate language I learned from the many Mexican cooks back in Santa Monica, I didn´t know a word of Spanish. That was OK by me and perfect revenge for my eventual return--now I will know what those guys are saying to me behind my back. Who am I kidding, it was never behind my back but straight to my face. Luckily Santi Santamaria speaks French and we discussed my background and such for a brief minute and that was it. I didn't hear back from them for what seemed an eternity. Basically I gave up hope and was planning to stay the rest of the season, til the end of December at Baumaniere (it being the beginning of June), and during their annual closure (January and February), make my assault on Paris. Fine, that will buy me time, I thought til one day out of the blue some three months after we had dined there, I get a call from Javier Torres, head chef at Can Fabes with not only a job proposal but a real position (chef de partie--something unattainable at Baumaniere) and a real salary. I obviously grew very excitied and maybe prematurely called everyone about the news. Well after a month of not hearing from them and then hearing from the chef but with nothing definitive, I conitinued to do what I was all too tired of doing--wait. In this time, I started to wonder--well they know I'm American, they know I don´t know how to speak Spanish, they know I was never a chef de partie in a three star restaurant--this is just too good to be true. Well eventually before my grand depart, we hatched out some details--well one, my start date--Sept. 30-- the rest was up in the air. I knew lodging would be provided, what I didn´t know was that I would share a room a bit larger than the one I had at Baumaniere (where I was living single) with not one but two other cooks--who have both since left. I have an empty bunkbed to look at when I wake up now. I knew I would be fed one meal a day. What I wasn´t prepared for was the 14 hoer work days which ended in scrubbing the kitchen from figurative head to toe, the overworked cooking staff who threaten to and then actually quit without notice, the relentless amount of tedious repetition necessary in achieving consistency in the upper echelons of fine dining followed up with more attentiveness to details, details, details. Yes, I am now chef de partie, garde manger, but for the last month I worked like a staggaire with chef de partie responsiblities. That is to say, there is nothing beneath me in terms of what is required of me. If I need to deshell 15 kilos of buy de mar (crab) and make sure there isn´t a milligram of shell in the final process, I need to do that. I don´t know if any of you have done this before, but in short, its a pain in the ass. Ask me to deshell five kilos of shrimp everyday, thats fine, but deshelling--index finger by index finger of every gram of meat--doing it again-- and then again--five solid hours is fairly torturous. I remember writing in my last post about my Baumaniere hell week (basically a week without my chef de partie--who was in the US at the time-- which had me working 14 hour days)--well I just signed up for a hell year. I did this in my last post--a shameful plea for pity. Well there is no looking back so to speak. Again, not to make things sound worse than they are for cinematic affect, I work like a dog for around 75-80 hours a week just to say I worked in a three star restaurant. One might ask, "well are you learning at least", to which I have to smile a sardonic, contemptuous smile and say, "I'm learning a lot" but what I really want to say is "I'm learning to work and work hard." I think in the end that is the difference between great restaurants and good restaurants. We could call it quits after lets say the tenth hour and have satisfactory results. I would honestly say that half the customers would hardly notice the difference, but we don´t quit . We could call it quits after the twelth hour and none but a few of the customers would notice the difference, but we don't because we, the people in the kitchen, know the difference. I think this is of vital importance. Before, I asked, "is it really necessary to do _____, noone will know the difference" but every effort in the kitchen is noticeable, even if it is only incremental. Someone kick me off my soapbox for heaven´s sakes. Of course, I am here for the same reasons many of you come here for--the search for quality. Its here and here in abundance. I have never seen so many mushroom hunters come in with prized "oy de reys", cepes (with heads so dark and bodys so heavy) and many varieties I´ve never seen before--it raining about everyday now, definately paying the price for the heat wave of the past summer. The produce is excellent, coming either from our weekly run to France or from the numerous farmers, ranchers and food artisans from the region. I love working with all the fresh seafood and the suckling pigs, beef...well basically everything we get is incredible. Although the hours are long, and this is where I do my customary about face, I love what I'm doing here. It is worth the price. At least I can say I work long tedious hours along side with Santi Santamaria--he being infatigable as well. As far as my opinion of Santi Santamaria--I am falling in love with the man. He is generous to a fault (mis en place takes big hits), and absolutely unfaltering in his pursuit for perfection. An absolute pleasure to work for, even if he has his darker moments--naturally. I just hope some of his passion for eating and living rubs off on me. I would like to take this opportunity to thank eGullet again and to Robert Buxbaum again for organizing such a gell informed site. I live for this kind of stuff and although I seem to be longwinded in my account of personal events, I hope it gives some insight into the "other side" of restaurant life. Being an English major, I always ponder the bigger questions of dining, such as a wonderful article about deconstructionism and El Bulli. The last time I spoke to an old professor at UCLA, I asked, definately ignorantly, what seems to be the next thing after post modernism (the reinvention of the classic) and are we seeing signs of a Hegelian thesis, antithesis to synthesis pursuit towards "zeitgeist" (seems very foolish in hindsight) and he responded by saying there seems to be something seen as postcolonialism. Just to get a head start on new restaurant trends, I am wondering, the more and more food attains the level of art instead of craft, can we take modern discourses of art and apply them to trends in restaurants? That is, are such discourses driving influence in fine dining? It seems to be one way in analyzing what Ferran Adria is doing and thus the following trend he has caused? I am sure this subject has been done to death already, but if there is a new era of postcolonialism, does that mean that a new trend for restaurants is to revert back to more "traditional" values and although we cannot discount the effects of multicultural "fusion" we need to pay more heed to the colonized and less to the colonial powers? Last thing on this mental self pleasuring exercise, what restaurants do some of you see in my future? If one were to open a quintessential California restaurant, one would hope to have Mediterranean influences, Asian influences and of course exposure to other Californian/Pacific Coast restaurants, but what other restaurant, region would round off my culinary career? Pierre Gagnaire? Tuscany? Piedmont? Pais Vasco? Will be looking in anxiously, Simon
  2. In response to Steve Klc, since I haven't worked at any other restaurants in France, I do not know if it is extraordinary for a staggaire to undertake such a position. In actuality, the chef de cuisine never asked me to work all those hours, but it sort of was implied (by huge amount of work to be done). I considered my time at both Puck's restaurant invaluable, but without sounding arrogant, I also believe you get what you put in. Of course, I did get incredible coaching and developed knife skills at Chinois above those normally required in other restaurants (had a Japanese chef for a couple of years- and if you know the Japanese, they are fundamentally/technically sound cooks). And yes, sleep is a tremendously valuable commodity in my line of work.
  3. Thank you all for the wonderful reception to my post. Although I rarely have time to write, I will do my best to keep current with the posts--you know the last thing I want to do after work is have to think. In response to your question Bux, yes I have read Bourdain's Kitchen Confidential and found it to be..., lets say different to my prior experiences in the kitchen. Although, I can support his claim that this field usually attracts the odder, and usually "less erudite" segment of the population. Thanks again, Simon
  4. Salut tout le monde, I had been invited by Mr. Buxbaum to contribute to the French message board here on EGullet. I suppose he felt that an American cook working in a Michelin two star French kitchen (Provencal to be more precise) could be of some value. I hope the rest of you share his opinion. I guess an introduction of myself is in order. I am a second generation Korean American born and raised in So Cal, who after receiving a double degree in English and Economics from UCLA, decided he would rather hang up the cap and gown for a toque and apron. Actually, its amazing that I graduated at all since I spent more time watching the Food Network and/or reading cookbooks than attending lectures or reading textbooks (an exaggeration that isn't too far from the truth). Yet, like many of the recently graduated, I found the "real" world a bit too harsh to jump right into-- afterall, I was just "deconstructing" the parables of Kierkegaard, Kafka and Nietsche, how could you expect me to peel 30 lbs of potatoes, strain 12 gallons of chicken stock and/or peel and devein 10 lbs of shrimp. So I did like many disconcerted graduates do-- I continued onto "higher education", but unlike them, I wasn't pursuing the masters or Phd from an acclaimed univerisity, I was pursuing a clearer consomme, a more uniform cut, a more sensible garnish from a cooking school. However, I didn't opt for the highly regarded Culinary Arts Degree from Johnson and Wales or the CIA--frankly I had enough student loans to contend with, and cook's just don't get paid all that much-- I opted for a small cooking school with a knowledgable professor who had strong connections with Wolfgang Puck (if all I learned from college was that it isn't what you know but who you know, I learned enough). Thus, even before I finished cooking school, I began working at Chinois on Main (Wolfgang Puck's Asian-inspired restaurant in Santa Monica), as a line cook. This career student was tired of being broke (as a matter of fact, I'm still tired of being broke)--plus, I finally realized that there was no better classroom than on the job training, especially when it comes to cooking. I liken it to any performing art (especially sports); there is a rhythem, a sense of timing that can only be fine tuned under the pressure of performance-- under the heat of service. Speaking of heat, my first station can be compared to life on the planet Mercury. I started at the grill station, where 60 lbs of red hot mesquite radiates temperatures that only the most evil people feel in their illfated afterlife. Great for searing steaks and grill marking salmon, but murder on one's complexion. Needless to say, after a year on the grill, I was ready (with skin on my hands that could be made into cowboy boots) to change stations. If murdering lobsters is considered a sin, I will be condemned to eternity on the grill. Chinois on Main is famous for its Curried Lobster, where I cut in half, seared and shelled an average of 30 lobsters a night--most always each a la minute. One can tell when a cook has been working the lobster station for an extended period of time, he/she has a callous where the back end of there weapon of choice (usually a 10 inch chef's knife) has aggravated the skin just under there cutting hand's index finger. Afterwards, a six month stint working the pantry (appetizer station, or garde manger in French) and another six month stint working as Chinois' butcher/day time prep, and I felt I had the experience, and most importantly the knife/cooking skills to head to France. I researched the employment scene here in France and the proposition of finding a good restaurant which would accept an American cook with very rusty French language skills and found it very near implausible. First you have to find a chef who would go through all the red tape (and in France, if you've ever read Kafka, its all about bureaucracy); add in the fact that there is double digit unemployment and that equals big time obstacles. Thank goodness for connections. Here is were Wolfgang stepped in. As it turned out, he had done an apprenticeship at a famous Michelin three star (at the time) in Provence, Oustau de Baumaniere. Having kept in contact with the owner/chef, Jean Andre Charial over the years, it was just a matter of a phone call, a fax and some emails, and voila, a staggaire's poistion at a highly acclaimed French restaurant-- a dream come true. Well I wished it was that easy. If you ever ask a favor from a chef, you'd better be able to repay, or in my case, prepay it tenfold. Before I was to leave for France, I had to work, in my opinion, the lowest of low positions (which didn't require me to wash dishes) at Spago, Beverly Hills. Of course, one could be stuck, peeling potatoes or washing lettuce, but at least it wasn't cooking 30 lbs of potatos (20 lbs of russet for the aligot, and 10 lbs of yukon gold, for the garlic mashed potatos)--a proposition which requires cutting the potatos into equally sized pieces, constant stirring, heavy lifting (and I thought I knew how to mash potatoes-- was I ever wrong), passing all the potatoes through a ricer, stirring in cream, butter, salt and pepper, to achieve a lump free, and grit free mashed potato that was worthy of fine dining. Well, it sounds easier than it is, and when my chef de partie told me my mashed potatoes were overcooked and that I had to start all over again, I nearly took my first life (I could have killed him or myself). Well with newly found muscles, which ached for weeks to come, I thought I had paid my dues, but as the old Chinese saying goes, "Oh, so sorry." Wolfgang had decided that I was to cook for him. The Austrian accented voice went something like, "I have to know how you cook before I can send you to France. I am free after lunch service tommorrow, sometime around one (o'clock). Make me three things and cook everything here", to which I reply, "But I am scheduled to work tommorrow at 3 (o'clock PM)," to which he frankly replied, "Thats your problem." Oh, by the way, this all occured at eleven P.M., just after I finished my shift and was saying my goodbyes. Obviously, I didn't get much sleep-- researching recipes til 4:30 in the morning and then waking up at 6:30 to go an Asian Market and then off to Spago to start cooking. Remarkably, I wasn't the first person in Spago that morning, but the place was near empty. I got to work right away, and by the time Wolfgang came to see me, it was about one o'clock. I vividly remember his words, "I'm hungry, when are you going to be ready?"; translation, "on your marks, GO (there was no time to get set)!" I prepared three Korean inspired dishes: Korean beef barbeque lettuce wrap with mung been sprout salad, seared black bass in a spicy Korean red sauce atop braised daikon radish, and butter poached lobster in a Kafir lime leaf lobster sauce accompanied by Korean pancakes and avocado. Fortunately, I had adequate time to prepare, unfortunately, there were still lunch orders coming in and I had to share burners with the other cooks--very cramp. After much apologizing and excuse mes, the last of the three dishes went out, and I sighed a sigh of relief; a shortlived relief which ended when the waiter returned stating, "Wolfgang would like you to prepare an three egg omelet with smoked salmon." Talk about out of left field, I was definately illprepared. I knew how I liked omelets, but I didn't know the "fine dining" version. I lightly scrambled the eggs, incorporated some heavy cream, found a nonstick skillet and began slowly cooking and scraping (don't know a better word) the omelet with a rubber spatula, which helps to build volume and to evenly cook the eggs. When the omelet started to become opaque, I added the smoked salmon, flipped the omelet into a halfmoon, added a dallop of creme fraiche and garnished it with some minced dill. Boy was I proud of that omelet (until recently, when I discovered the French do it entirely different-- a matter for another post). After I cleaned up, the same waiter came back and told me to go to Wolfgang's table. I was surprised to see Wolfgang wasn't alone-- there sat Lee Hefter, head chef of Spago, and Matt (the sous chef, who's last name I can't remember). Lee was the first to speak, saying something like, "(Y)ou know how to cook Korean, so I guess its about time you learned to cook French. The dishes were excellent and the black bass was cooked to perfection. Congratulte yourself." Then Wolfgang chimed in, "I remember the first time I worked in a restaurant, the chef told me to cook an egg; so as you can imagine, I was so nervous. I cooked it and it had bubbles around the edges. He took one look at it and through it on the floor. 'You cannot cook a simple egg,' he told me, 'how do you expect to work here.' I was terrified." I didn't know exactly what to take from his story at the time, but I was generally encouraged by the whole experience. Although now, I understand that was Wolfgang's way of saying, you think its tough here, well wait until you work in Europe/France. Words of a prophet. Having been working at Baumaniere for nine months, I can now comprehend the full magnitude of Wolfgang's brief anecdote. My second day at Baumaniere found me making nearly one thousand chicken, leek and truffle filled raviolis. My hands are calloused but not blisterproof-- a fact that the ravioli cutter (a cookie cutter thing) pounded home after my first couple hours of ravioli limbo (9 hours a day for four days sraight). It was great because I had never seen that many truffles (slices) in my life, and my hands were fragrant with its precious aroma-- a peculiar juxtapostion to the blisters. My first month found me doing all manner of menial tasks-- va chercher this, va chercher that, lave this, coupe that, depeche toi, plus vite and toute de suite. I didn't gain any ground in the hierarhcy until the demi chef de partie garde manger, a Japanese staggaire, decided he wanted to learn another station some three months later. To my delight, and now regret, I took over the more demanding position in the French manner, toute de suite. I say regret because with all the authority I now have over all the other commis and apprentices, I have that much more responsibility-- a fact my chef de partie never lets me forget. Plus, I take over as chef de partie when my chef isn't there, which he hasn't been for the last two weeks (a cooking event with the gourmet food outlet, Marshall Field, in the Great Lakes region). The brief breakdown of this means I had just spent three consecutive weeks without a day off, working some 80+ hours a week. I guess when your the American staggaire who doesn't get paid by the hour, they can go ahead and work you to death. What exascerbated my predicament was the day before my chef left, the menu underwent its spring makeover-- I had to start everything from scratch. Plus, the sous chef in charge of creating the menu never ceases to change the dishes--eradicating every ounce of comfort I have with the daily mis en place (means everything in its place, a culinary term for all of your daily preperations) and I have to come up with one new amuse bouche (any little taste that will fit on a spoon) and three new mis en appetit (three small bowls filled usually with a soup, a puree, a gellee or any daily inspired creation) everyday. A daunting task when one considers I worked with one other cooking student/apprentice the entire time (it still being the offseason, we are highly understaffed). Wow, I feel a whole lot better now that I got that off my chest I really am joking when I say regret because I truly value my experience here. If one looks at the bright side, I have a nice small room with a closet, bed and sink, partake two edible meals a day, receive a bit of pocket change for all my efforts and normally get a day and a half off everyweek. OK, without being facetious, I am in a region where excellent olive oil is grown and pressed, where good Appelation Les Baux de Provence wines are produced and where fresh French baguettes are baked daily-- a gourmand's dream come true. Also, I get to play around with some amazing ingredients, cook through a portion of Paul Bocuse's ancient tome, "Paul Bocuse, La Cuisine du Marche," (although I do take tremendous liberties in its interpretation)* and work on my chef skills (especially the yelling--its hard to get these apprentices motivated otherwise). Plus, I get my monthly quota of travel in. Oh yeah, did I mention that Baumaniere has one of the largest and finest collections of French wines in the world-- 3rd largest restaurant wine list in all of France--well that was before the the 2002 New Years Eve fire ransacked a small portion of the wine cellar. Luckily, as far as I know, all the fine Bordeaux and Burgundies were left intact. With that to chew on, I hope I can add a welcome perspective to a well coordinated and interesting message board. Thanks for reading, Simon Sunwoo *Having read some of the other posts, there seems to be a generally negative view of Bocuse's cuisine. Is it too antiquated or stagnant? Am I missing something here, because it is highly regarded by most of my colleagues?
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