Andiesenji, you are my heroine! Yet another amazing factoid about you is that you know how to hand etch glassware. Why does this not surprise me? You are truly a renaissance woman.
Chris, that curlique glass is just lovely! I suspect the rough textural element of the pattern does indeed imply some sort of chemical process, as Andie suggests. Most other etchings don't have that sort of surface texture.
Even more expensive were the imports from Kosta Boda, Orrefors, Lalique, Waterford, Wedgwood and Baccarat...
I love love love antique glassware of all sorts. It's a problem. And I have expensive taste I can't possibly keep up with, which only makes it worse. I suspect that growing up in my mother's house that was filled with porcelain and glass
tchotchkes of every stripe including cut glass bowls/vases/ashtrays/candy dishes, etched stemware of all description, glass animals and all manner of mirrors of various sizes and levels of elaborate decoration caused at least some of that love to rub off on me. I still treasure many of the glasses and things my mother left me. I developed a serious jones to own any and all of the
William Yeoward stemware and/or
barware when it was used to style a magazine shoot I worked on for a former restaurant employer. While they're reproductions of older discontinued antique patterns, they're so stunningly beautiful it doesn't even matter. I covet this stuff in the Biblical sense. It
is a sin just how much I wish I could afford it. I have dreams of setting a gloriously gorgeous table with it. Or just having it live in the cabinets with my other things. A full setting of Yeoward stemware or barware might be one of the first things Id treat myself to upon winning the Powerball lottery. Just because I could.
Edited by KatieLoeb, 24 February 2010 - 06:15 PM.