#1
Posted 16 May 2007 - 05:49 PM
#2
Posted 16 May 2007 - 05:54 PM
otherwise, can't help you
#3
Posted 16 May 2007 - 08:46 PM
#4
Posted 17 May 2007 - 08:01 AM
I use these quite often. I have some really old, really heavy all metal ones that I "inherited" from an agency where I worked that closed. I would check on the newer models that the plastic coating is heat resistant, but you can buy flexible curve at any art supply store. I use these more for curves than straight lines, though.
flexible curve
#5
Posted 17 May 2007 - 09:04 AM
I worked for ad agencies for years, and it's amazing how many tools transition to pastry.
I use these quite often. I have some really old, really heavy all metal ones that I "inherited" from an agency where I worked that closed. I would check on the newer models that the plastic coating is heat resistant, but you can buy flexible curve at any art supply store. I use these more for curves than straight lines, though.
flexible curve
Do you think that they would work if you layed them out straight like you would with caramel rulers?
#6
Posted 17 May 2007 - 10:22 AM
#7
Posted 17 May 2007 - 12:32 PM
I use a square cake pan lined with parchment when I make caramels that I want to cut into perfect squares. I use flexible curves for shapes.
#8
Posted 22 January 2008 - 08:59 PM
Thanks in advance.
Alicia
#9
Posted 22 January 2008 - 09:05 PM
I have seen Chris here that made his own frames and it looked like a pretty smart idea ( he is a brainy guy
#10
Posted 22 January 2008 - 09:10 PM
Hello, I think most of us are using metal frames form different sources.I bought mine froma a metal shop ( I got some heavy alluminum bars that I put together) and I got one fram ( set frame ) from Tomric, plastic http://www.tomric.co...=12&sec=31&cmd=
I have seen Chris here that made his own frames and it looked like a pretty smart idea ( he is a brainy guy), we might have to ask him how to make our own , probably cheaper.
Lowes has bar stock you can buy. You might consider making it 12 x 6 or 9 x 8 which would be 1/2 batch. Most recipes make 180 pieces which is nice if you are selling but quite a bit for trial or self consumption.
www.roseconfections.com
#11
Posted 22 January 2008 - 09:33 PM
I would need half batch size. I am making a ton of chocolates for valentines Day and probably most other holidays, but that would be the only times I would need full batches. I am new to the confection thing, but it fascinates me and I want to do things right.
Thanks so much for your replys, I will check out lowes.
Alicia
#12
Posted 23 January 2008 - 07:12 AM
Edited to add: I'm using the magnets to hold the mold rails in position (no welding): neodymium is very strong, so I can use small magnets coated in plastic so they can be washed. I am using stainless for the rails so they can be washed, and cheapo cold-rolled plate for the base since it gets covered in parchment anyway.
Edited by Chris Hennes, 23 January 2008 - 07:14 AM.
Chris Hennes
Director of Operations
chennes@egullet.org
#14
Posted 23 January 2008 - 09:56 AM
They only really work with ganache as the plastic rulers will curl when pouring a hot mix (pate de fruit, caramel etc.) If you are looking for a full frame they could probably make that for you as well. I've no connection to the company but always like to refer those who have done good work for me. I won't post the contact info as I'm not sure it is appropriate but just message me if you want the info....
Does anybody have a source (U.S.) for reasonably priced plastic confectionery frames. I bought a very large one in France for ~12 Euro; here I cannot seem to find them for less than forty bucks or as parts of expensive sets that I do not need. It seems bizarre that something so cheap to produce would cost so much.
#15
Posted 23 January 2008 - 10:04 AM
If you make it yourself, does it have to be welded together?
Alicia
Not at all!

Just line them up to whatever size you need and tape them down so they don't shift around when you pour and level the ganache.
Having them in seperate pieces facilitates removing the frame after it sets up.
This is really simple and you can use almost anything of the height and length you need.
#16
Posted 23 January 2008 - 10:30 AM
Tape? Brilliant! (As usual, the engineer makes things more difficult than they need to be...Just line them up to whatever size you need and tape them down so they don't shift around when you pour and level the ganache.
Chris Hennes
Director of Operations
chennes@egullet.org
#17
Posted 23 January 2008 - 03:15 PM
If you make it yourself, does it have to be welded together?
Alicia
Not at all!
Just line them up to whatever size you need and tape them down so they don't shift around when you pour and level the ganache.
Having them in seperate pieces facilitates removing the frame after it sets up.
This is really simple and you can use almost anything of the height and length you need.
thats exactly like i work, but you dont need any tape if you put em on a silpat ;-)
cheers
t.
#18
Posted 23 January 2008 - 03:29 PM
Ditto.If you make it yourself, does it have to be welded together?
Alicia
Not at all!
Just line them up to whatever size you need and tape them down so they don't shift around when you pour and level the ganache.
Having them in seperate pieces facilitates removing the frame after it sets up.
This is really simple and you can use almost anything of the height and length you need.
thats exactly like i work, but you dont need any tape if you put em on a silpat ;-)
cheers
t.
As an aside, does anyone know where to get those plain flat sheets? Sort of like a cookie sheet but with absolutely no rim at all.
DePaula Confections
Hand-crafted artisanal chocolates & gourmet confections - …Because Pleasure Matters…
--------------------
When asked “What are the secrets of good cooking? Escoffier replied, “There are three: butter, butter and butter.”
#19
Posted 23 January 2008 - 03:30 PM
#20
Posted 23 January 2008 - 03:30 PM
thats exactly like i work, but you dont need any tape if you put em on a silpat ;-)
I use a silpat, but I also stack 1/4" x 1/2" bars for dual layer ganache so I have to tape the second layer.
#21
Posted 23 January 2008 - 03:35 PM
As an aside, does anyone know where to get those plain flat sheets? Sort of like a cookie sheet but with absolutely no rim at all.
From what I recall nobody sells them. I believe the FPS just went to a metal supply shop and had them cut to size from sheet stock.
#22
Posted 23 January 2008 - 03:54 PM
Well, duh! That makes sense, David. I just never think about going to these metal supply places but they can save you a lot of money.As an aside, does anyone know where to get those plain flat sheets? Sort of like a cookie sheet but with absolutely no rim at all.
From what I recall nobody sells them. I believe the FPS just went to a metal supply shop and had them cut to size from sheet stock.
DePaula Confections
Hand-crafted artisanal chocolates & gourmet confections - …Because Pleasure Matters…
--------------------
When asked “What are the secrets of good cooking? Escoffier replied, “There are three: butter, butter and butter.”
#23
Posted 23 January 2008 - 05:07 PM
Alicia
#24
Posted 23 January 2008 - 09:10 PM
#25
Posted 29 January 2008 - 11:55 PM
Chris Hennes
Director of Operations
chennes@egullet.org
#26
Posted 01 January 2013 - 09:59 AM
There are significant differences among authors on the size of the frame required: Greweling's recipes call for a 144 sq. in. frame, Notter's are for 112.5 sq, in., and Shotts's are for 64 sq. in. Fixed-size frames that I saw online vary significantly in size: J.B. Prince's are 90.25 sq. in., Tomric's are 225 sq. in. So unless I am willing to do some rather complex calculations and adjusting of recipes to match a fixed-sized frame, it seems that movable bars are the way to go. On the thread to which I am replying Chris Hennes and David J. use this method. I found some stainless steel bars for a reasonable price online and have a few questions about them:
1. If I pour the chocolate "foot" first (the method Notter and many others use) and put the bars in place before the chocolate hardens, they should stay put while I am pouring and leveling ganache. And it would seem the bond between the chocolate and the bars would contain the ganache without leakage. But what about occasions when I am making something more liquid, such as pâté de fruit, when there is no chocolate? How could I keep the bars in place, and how could I keep the liquid from leaking under the bars?
2. What about recipes that call for adding a second layer to a ganache? How would keep I the four upper bars in place?
I will be grateful for any thoughts on these issues.
Jim
#27
Posted 01 January 2013 - 10:18 AM
I realize that I am coming to this thread very late but am just getting to the point where I want to try slabbed ganache and other items for which a frame is required. So I hope someone will reply to my questions about frames.
There are significant differences among authors on the size of the frame required: Greweling's recipes call for a 144 sq. in. frame, Notter's are for 112.5 sq, in., and Shotts's are for 64 sq. in. Fixed-size frames that I saw online vary significantly in size: J.B. Prince's are 90.25 sq. in., Tomric's are 225 sq. in. So unless I am willing to do some rather complex calculations and adjusting of recipes to match a fixed-sized frame, it seems that movable bars are the way to go. On the thread to which I am replying Chris Hennes and David J. use this method. I found some stainless steel bars for a reasonable price online and have a few questions about them:
1. If I pour the chocolate "foot" first (the method Notter and many others use) and put the bars in place before the chocolate hardens, they should stay put while I am pouring and leveling ganache. And it would seem the bond between the chocolate and the bars would contain the ganache without leakage. But what about occasions when I am making something more liquid, such as pâté de fruit, when there is no chocolate? How could I keep the bars in place, and how could I keep the liquid from leaking under the bars?
2. What about recipes that call for adding a second layer to a ganache? How would keep I the four upper bars in place?
I will be grateful for any thoughts on these issues.
Jim
PDF firms up rapidly. Haven't had a lot of trouble with the bars moving or leakage. I often put my bars on a piece of silicone - it also keeps the bars in place and aids in removal of the PDF later.
With two layers I often change the 1/4 bars and replace them with half inch bars for the second layer.
www.thechocolatedoctor.ca
Confectionary Course • Confectionary Course Q&A
eGullet foodblog 2006 • eGullet Foodblog 2012
#28
Posted 03 January 2013 - 07:21 AM
Hello, I think most of us are using metal frames form different sources.I bought mine froma a metal shop ( I got some heavy alluminum bars that I put together) and I got one fram ( set frame ) from Tomric, plastic http://www.tomric.co...=12&sec=31&cmd=
I have seen Chris here that made his own frames and it looked like a pretty smart idea ( he is a brainy guy), we might have to ask him how to make our own , probably cheaper.
I've had "custom" aluminum bars cut to specific lengths. Check out Online Metals.
Doer of All Things
Steven Howard Confections
Slicing a warm slab of bacon is a lot like giving a ferret a shave. No matter how careful you are, somebody's going to get hurt - Alton Brown, "Good Eats"
#29
Posted 03 January 2013 - 08:02 AM
The first method I use is a 12 x 10 wood frame that is 1/2" high. This I made from maple with half-lap joints that are pegged. I lay the frame on a cutting board, lay a sheet of cling film on top, pour in my ganache, and smooth flat. When set I remove the frame which comes away clean, brush couverture on the surface, pick up the whole slab and flip over, remove the cling film, and brush couverture on the newly exposed side.
I also bought a set of frames from D+R in Montreal. These are S/S and quite nice, but expensive. However they come with a "movable wall", a bar of s/s that you can move within the frame to make any size you want. I lay a sheet of parchment on a large cutting board, then the frame, then fill. When cold, I run a torch along the frame to remove it.
I also have a set of s/s bars in 1/4" and 3/8" widths that I got made a metal shop for quite cheap. Very flexible and usefull. I toyed with the idea of cutting grooves in a cheap nylon cutting board so the bars can sit in and not move about, but that means I have to custom-cut a piece of parchment to fit in the bottom. I prefer the other methods
#30
Posted 03 January 2013 - 10:48 AM
Thanks very much for those ideas. I have ordered stainless bars. My concern remains how stable they will be when I am smoothing the ganache, but I will soon find out. Someone mentioned taping them down if necessary. I will have to do something like taping when making a two-layer ganache.I use a variety of techniques for slabbing
The first method I use is a 12 x 10 wood frame that is 1/2" high. This I made from maple with half-lap joints that are pegged. I lay the frame on a cutting board, lay a sheet of cling film on top, pour in my ganache, and smooth flat. When set I remove the frame which comes away clean, brush couverture on the surface, pick up the whole slab and flip over, remove the cling film, and brush couverture on the newly exposed side.
I also bought a set of frames from D+R in Montreal. These are S/S and quite nice, but expensive. However they come with a "movable wall", a bar of s/s that you can move within the frame to make any size you want. I lay a sheet of parchment on a large cutting board, then the frame, then fill. When cold, I run a torch along the frame to remove it.
I also have a set of s/s bars in 1/4" and 3/8" widths that I got made a metal shop for quite cheap. Very flexible and usefull. I toyed with the idea of cutting grooves in a cheap nylon cutting board so the bars can sit in and not move about, but that means I have to custom-cut a piece of parchment to fit in the bottom. I prefer the other methods
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