In fact, I am becoming even indiffernent to my choice of restaurants in Paris because I am resting up for a visit to Michel Bras and have visited all the restaurants about which I could potentially truly care in Paris. I was originally going to explore Chiberta, because the chef there was a sous-chef of Lucas Carton's Alain Senderens at one point in time, a chef whose progeny rather intrigues me. But that being said, I could not find the address of also-one-starred Chiberta when I got into a taxi, and decided to sample the cuisine at Le Meurice for the first time instead. No big deal either way.
Les Morilles Blondes: Les tetes farcies a la morille, reduction de vin d'Arbois (Blond morels -- the heads of the morels stuffed with morels, reduction of a wine from Arbois) (26 euros)
Le Bar de Petite Peche: Le filet transparent, chou tendre et tourteau, releve au sevruga (Bass from small boats: The filet in a "transparent" presentation, tender cabbage and a special type of French crab, with sevruga caviar) (43)
Le Citron de Menton: Decline au mille feuille craquant, une fine gelee et coulis au miel (15) (Lemons of Menton: In a crunchy millefeuille, a fine gelee and a coulis with honey)
1/2 Mersault, Boillot 1998 (60)
Glass of Muscat Rivesalte (13)
The meal unfolded with an average gelee containing small lobster chunks. On top of that, a veloute-like item flavored again with lobster and containing certain, limited creamy elements. Then, the appetizer of blond morels. There were three large morels that appeared a medium brown color. Each was at least 4 cm in length, and looked bulbous and "full". I did not particularly appreciate the grainy, bread-like texture (for some reason) of the diced morels inside the three large morels, but their inclusion could not be said to have been misguided. The morels themselves were delicious, although I could not tell how blonde morels tasted markedly different from regular morels. The reduction of the described wine from the Jura tasted like an overly salty red wine reduction. There were meat-like aspects of the saucing that added to the intensity of the morels, although I have generally, and subjectively, always preferred sauces with weaker meat connotations with these mushrooms (unlike, for example, porcini).
The bass was presented in two circular-shaped thick pieces, which appeared to have been cut from yet larger pieces. The flesh was appropriately prepared, and the fish was of appropriate quality. However, not an inspired dish despite the nice touches of (1) a large square-shaped "package" of green cabbage (nicely between crunchy and soggy) around shreds of torteau crab meat, (2) a small quenelle of sevruga caviar (this reminded me very slightly of Pic's infamous bass with caviar dish, in which the caviar was directly on top of the bass and for various reasons more interesting) served on the side, and (3) a blanc-manger of bass with slight hints of sweetness in the mouth afterwards. The white-colored sauce for the bass was attractive, being a light, cream-based sauce utilizing the same torteau crab. Overall, a good bass preparation.
Finally, the best part of the meal for me. Menton lemons. These had been the subject of discussion between Susan Brown and me when Robert, Susan, Steve P and I had dined at Beacon at Cap d'Antibes. The discussion had ben spurred by the lemon tree right on the other side of the glass window next to our table. When I saw the Menton lemon dessert, I had to order it. It did not disappoint at all, even relative to my anticipation of this dish. The coulis of lemon had a nice, medium consistency and honey to augment the naturally sweet tones in the Menton lemon. The main part of the dessert, a long, rectangular single piece of thin pastry (not necessarily a classical millefeuille), sat atop two quenelles of Menton lemon sorbet that pleased me. Tart, but still lingeringly sweet. Below that, another piece of thin pastry and lemon-taste-infused, soft, cake-like portions. Surrounding this rectangular item was a ring of small Menton lemon pieces in a light syrup. The Menton lemon gelee was not particularly noticeable in the dish. I enjoyed this dessert tremendously. The dessert wine recommended by the sommelier was not overly thick in the mouth, and went very well with this dish.
Overall, a good meal at a relatively strong one-star restaurant. However, not a restaurant I feel I need to visit again any time soon.
Background
The food service was very good, although, admittedly, the ratio of dining room staff members on the food service side to the diners during lunch exceeded 1:1. The sommelier team was a bit weak, and the wine list of the restaurant lacked the depth I would have expected at a hotel (although it was above-average for a one-star Michelin restaurant). Water is expensive at 7 euros for a 1/2 bottle of Chateldon, and at 7 euros for an espresso.
The decor was stunning, if one likes formalism, large areas of black and white marble, old paintings, and a medium pink/yellow color scheme for the curtains. More seriously, the decor was very ornate and classical, and conveyed a sense of opulence. This was enhanced by the fact that I was the sole diner in the room for at least 1/2 of my meal experience. The ceiling contained beautiful artwork that has faded over the years, but that was more attractive without refurbishment. Certain parts of the room were cateogorized as a historical monument or similar type of facility. The Meurice hotel is, of course, very conveniently locted close to the Louvre in the 1st arrondisement. Next to the restaurant is a nice area for afternoon tea (reportedly) called the Jardin d'Hivers (the Winter Garden), although the facility is not inexpensive.















