Bruni and Beyond: NYC Reviewing (2006) Review the review, debate the * system
#1
Posted 04 January 2006 - 02:41 PM
A new year brings a new batch of reviews by Frank Bruni, the main restaurant critic at the New York Times.
Let the games begin!
#2
Posted 11 January 2006 - 10:41 AM
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Thus, Al di Là joins other wide-ranging recipients of the two-star kiss, such as: Sripraphai, The Red Cat, Café Gray, The Modern, Alto, and Spigolo.
This post has been edited by oakapple: 11 January 2006 - 12:51 PM
Marc Shepherd
http://nyjournal.squarespace.com/
#4
Posted 11 January 2006 - 01:40 PM
With all these negatives, how does he bestow 2 stars? How could Modern and Grey be in the same constellation? What is he basing it on? Is it food, service and decor? If so, what is he smoking and why doesn't he offer to share?
If he cut his lip on a cracked wine glass does that get factored in or shrugged off because everyone might have a cracked glass and the room is packed with romantics who've waited an hr and 15 for fresh raviolis in brown butter? (-I had them btw, decent dish but a bit on the boring side). Def not a two star, one w/be a stretch but not shocking.
#5
Posted 11 January 2006 - 01:58 PM
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Both times I had them, they were impeccably cooked, firm but not hard, pliant but not mushy, with pillowy insides and a rich, vaguely grainy gloss.
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And how about some context when quoting that bit about the mismatched and chipped plates:
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Co-author of Serious Barbecue, which is in stores now!
www.jjgoode.com
"For those of you following along, JJ is one of these hummingbird-metabolism types. He weighs something like eleven pounds but he can eat more than me and Jason put together..." -Fat Guy
#6
Posted 12 January 2006 - 02:57 PM
As of now, Bruni is most comparable to Grimes in his bestowing of stars: mostly 1 and 2 stars, with slightly more 1 stars.
Again, I'm not saying that individual reviews don't have questionable ratings.
From perusing the online NYT archive, it appears there used to be (pre-1984) an explicit statement in "What the Stars Mean" that "comparable establishments" were considered in rating the restaurants. Obviously that's been changed, but I wonder if that couldn't still factor in somehow, or whether the critics are actively discouraged from it.
#7
Posted 12 January 2006 - 03:21 PM
Leonard Kim, on Jan 12 2006, 02:57 PM, said:
"Two-star kiss" is just a term I coined, because of the motley assortment of restaurants to which he has given that rating. By and large, his strangest reviews are at two stars.
In contrast, I think that the vast majority of his one, three, and four-star ratings have been more clearly defensible, if not entirely free of controversy.
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Not that I doubt you, but did you do a study of this, or is it just an impression?
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It is apparent that the critics in fact do this. The stars cannot be explained any other way; indeed, once you understand this, most of the ratings over the years make pretty good sense.
Marc Shepherd
http://nyjournal.squarespace.com/
#8
Posted 13 January 2006 - 12:28 PM
What's interesting from the standpoint of trying to figure out the logic of the star system is how differently each critic apportioned the stars. As I mentioned in my previous point, Bruni is in fact unusual for being very similar to Grimes in the way he hands them out. Here's a quick rundown:
Sheraton: her "default" rating is one star (nearly half of her reviews.) There are roughly equal numbers on each side of zero star and two star reviews (20-25% each). In fact, in my sample, there were more zero stars than two stars. Three and four stars are, as with everybody, a rarity. IMO, this is the most sensible system.
Miller: gave out roughly equal numbers of one and two star reviews (35-40% each), with slightly more two stars. However he still gave out a number of zero star reviews (10-15%) mostly in the context of double reviews.
Reichl: the peak has clearly shifted to two stars (over half the reviews.) Reichl was also the most generous with three stars (15%). Zero star reviews have become the rarity we are now accustomed to (4-5%).
Grimes and Bruni: the majority of reviews are back to Miller frequencies, though with more one stars than two stars. However, zero stars are still lacking.
In the broad view, Miller and Reichl were both culpable for star inflation. Nowadays, I think part of the confusion in the usage of one vs. two stars is that zero stars is no longer a really viable or usable rating. That is, it would be easier to understand if we had 2-1-0 stars roughly correspond to above average - average - below average. However, as it stands, it really is only a two star system, so the whole question of what's the average rating and what's the dividing line between one and two stars becomes very murky.
#10
Posted 15 January 2006 - 04:57 PM
#11
Posted 15 January 2006 - 07:52 PM
What's lacking here? Substance? Insight? Not sure. But his wacky writing doesn't do it for me either.
I liked Grimes. I loved Reichl. But I'll pass on Bruni.
This post has been edited by Lesley C: 15 January 2006 - 08:03 PM
#12
Posted 16 January 2006 - 03:27 PM
As Leonard Kim demonstrated above...this is patently false. You may not like Bruni's judgments or his reviews, but he is not guilty of "star inflation"....
I preferred Grimes...but I can recall when he was lambasted for his Otto review...I've noticed a definite "grass is always greener" phenomenon when it comes to critiques of the Times' critics.
(edited for syntax)
This post has been edited by Nathan: 16 January 2006 - 03:28 PM
#13
Posted 17 January 2006 - 07:15 AM
Nathan, on Jan 16 2006, 03:27 PM, said:
You can look at star-inflation multiple ways. If you just count the number of stars awarded, Bruni has not been profligate: one star is his most common rating. However, a critic can seem like he's out of control when he hands out stars to restaurants that seem wildly undeserving of them, and Bruni has occasionally done that, especially at two stars.
Amanda Hesser, in her brief tenure, was a tough grader, but she'll be forever remembered for awarding three stars to Spice Market. To his credit, Bruni has at least retained integrity at the three and four-star levels, but his one and two-star awards have a lot of randomness.
Leonard Kim's analysis is fascinating, but it would be great to look at the types of restaurants that were reviewed. Before we get all misty-eyed for the Mimi Sheraton era, it must be remembered that she awarded three stars to Sammy's Roumanian. That's only one data point, but it shows that if you give a critic enough time, inevitably s/he will uncork a few ratings that wildly miss the mark.
It would also be interesting to look at Mimi Sheraton's zero-star reviews. There are something like 15,000 restaurants in New York—clearly enough for the critic to write a zero-star review every week. But there's a reasonable argument that, with only one reviewing slot per week, the Times shouldn't waste very much space on restaurants that aren't at least "good." We don't know if Sheraton's zero-star restaurants would get a star from Bruni, or if he simply isn't wasting the paper's resources on them.
Marc Shepherd
http://nyjournal.squarespace.com/
#15
Posted 17 January 2006 - 12:52 PM
al di la: Great Italian food, pleasant atmosphere, relatively low price point. Sounds "very good" to me. Again, if we can't recognize that Alto's two stars mean something different than these two stars or Sripraphai's two stars, then we're admitting that words mean nothing and stars mean everything. Of course, if you've been to al di la and don't think it is a very good Italian restaurant, well, that's another thing altogether.
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...
Ratings reflect the reviewer's reaction to food ambience and service, with price taken into consideration.
This post has been edited by jogoode: 17 January 2006 - 12:53 PM
Co-author of Serious Barbecue, which is in stores now!
www.jjgoode.com
"For those of you following along, JJ is one of these hummingbird-metabolism types. He weighs something like eleven pounds but he can eat more than me and Jason put together..." -Fat Guy
#16
Posted 17 January 2006 - 12:59 PM
jogoode, on Jan 17 2006, 02:52 PM, said:
But that's a (the) problem with stars. They kind of take over. Like when there's a Diner's Journal pre-review, and people here scrutinize it like Kremlinologists for signs of how many stars the restaurant will be given. And in a way, stars are more important than words. Cuz a year later, no one can remember the words in the review. So all you have is the fact that such-and-such is a "two star" restaurant. Then, Alto and Sripraphai and Al Di La begin to look very similar in their ratings.
#17
Posted 17 January 2006 - 01:08 PM
As a roughly connected tangent, I have to add that I don't find Mimi Sheraton's award of two stars to Sammy's Roumanian to be all that shocking. When Ms. Sheraton was the Times's restaurant critic, the stars pretty much did mean "one critic's take," and anyone familiar with Ms. Sheraton's preferences and background can understand why she'd be so enamored of Sammy's. (Since I have similar preferences and background, I find Ms. Sheraton to be the single food critic with whom I most frequently agree.) It only seems shocking now, when we've taught ourselves to understand the star system in a different way. From reading her Q&As on this board, I'm sure Ms. Sheraton was nowhere near as "schocked" as the denizens of this board by the award of two stars to Sripraphai.
#18
Posted 17 January 2006 - 02:16 PM
Sneakeater, on Jan 17 2006, 01:08 PM, said:
It was three, not two.
Marc Shepherd
http://nyjournal.squarespace.com/
#19
Posted 17 January 2006 - 02:27 PM
Although, really, that's the clear best Roumanian strip steak in the City. And some of the best gribine (sp?). No, maybe THE best. And where else would you go for a beef garlic sausage? And the pickled tomatoes and peppers are better than almost any other restaurant's. Really, on the whole, it's up there in the elite as far as barely adulterated plates of fat go.
This post has been edited by Sneakeater: 17 January 2006 - 02:29 PM
#20
Posted 17 January 2006 - 02:30 PM
I've been there two times.
The first time, my waiter quit in the middle of my meal
The second time, the guy playing and singing at the electric piano quit in the middle of my meal.
I'm not sure that's happened anywhere else. But at Sammy's, EVERY visit.
#21
Posted 17 January 2006 - 02:31 PM
the point is, every reviewer has made egregious errors...if we really wanted to have fun...look at posts from 3 or 4 years ago (even 1 or 2) by some here.....
based on what Leonard Kim has done (80 reviews is certainly a significant sample in terms of the Times review universe), it appears that Bruni is not out of wack with other reviewers...data such as that carries more weight with me than specific examples of his errors.
#22
Posted 17 January 2006 - 02:31 PM
Sneakeater, on Jan 17 2006, 12:59 PM, said:
However, if stars weren't assigned, the words of the review would be even less memorable. What makes Bruni's Alto review stand out, is the fact that he assigned it two stars when most people expected three, with an outside chance for four.
The Kremlin-watching around "What will the Times do?" adds an extra element of interest. There wouldn't be this great anticipation around the Del Posto review — will it be the first four-star Italian restuarant? — if it were just a write-up of Bruni's impressions, without a rating.
I don't feel much sorrow for the poor souls who, on the basis of the stars, actually think that Alto and Sripraphai are comparable. It shouldn't require a lecture from Fat Guy to figure this out.
This post has been edited by oakapple: 17 January 2006 - 02:33 PM
Marc Shepherd
http://nyjournal.squarespace.com/
#23
Posted 17 January 2006 - 02:51 PM
Saying that, I've asked a question many times and no one seems to have come up with an answer (and since it's about the NY Times, there probably isn't an answer.) The paper obviously sees the confusion in the current system.
An obvious fix would be to award stars in two or three categories, similar to other major newsapers (I think the SF Chronicle or Examiner does it). The obvious categories would be food, service, ambiance. Pricing and wine list could be others. But at least break it down to food and ambiance.
It seems a simple improvement that would solve most of the issues here, but then we would have nothing to debate.
Opinions are like friends, everyone has some but what matters is how you respect them!
#24
Posted 17 January 2006 - 03:04 PM
rich, on Jan 17 2006, 02:51 PM, said:
An obvious fix would be to award stars in two or three categories, similar to other major newsapers (I think the SF Chronicle or Examiner does it). The obvious categories would be food, service, ambiance. Pricing and wine list could be others. But at least break it down to food and ambiance.
Actually, I've never known anyone associated with the Times to acknowledge that their system was confusing. So, perhaps they don't see it.
This post has been edited by oakapple: 17 January 2006 - 03:06 PM
Marc Shepherd
http://nyjournal.squarespace.com/
#25
Posted 17 January 2006 - 08:09 PM
Nathan, on Jan 16 2006, 05:27 PM, said:
As Leonard Kim demonstrated above...this is patently false. You may not like Bruni's judgments or his reviews, but he is not guilty of "star inflation"....
I preferred Grimes...but I can recall when he was lambasted for his Otto review...I've noticed a definite "grass is always greener" phenomenon when it comes to critiques of the Times' critics.
(edited for syntax)
That formula above is bogus. It doesnt consider WHAT is being reviewed. The previous critics would have left MANY Bruni reviews for the $25 and under column. Restaurants that are great but don't deserve stars?
La Esquina ?
Sripraphai ?
I cant imagine anyone but his mother defending his dullness. He's giving stars to places that are hole in the walls or taco stands. I know he thinks he's changing for a different demographic in a brave new dining era. But the only thing certain is New York aint what it was 10 years ago. And Bruni fails to point that out. He fails to inspire or encourage greatness in our chefs and fails to make us ask more from them, which we should. There should be standards. Let's start here: to recieve one star you must 1. have a serviceable wine program that serves selections not ridiculously marked up and wines that are served at temperature. 2. Must have consistenly good food. 3. Must recieve consistently good service.
That's just a start. Why not have it written in stone that if you want one star you must first accomplish the aforementioned? Do you think restaurants would set their standards higher? Absolutely. and why did he drop service from the mini reviews? How important is service? It's essential. But Bruni dropped it from his listings because he's just about the food. Saying a restaurant is just about food is like saying baseball is just about who wins or loses. But it's not. Baseball is about heroics, bonding w/ your children, fireworks, hot dogs, cracker jacks, er, you get the point. In short: FIRE FRANK FAST!!
#26
Posted 17 January 2006 - 08:40 PM
cru, on Jan 17 2006, 10:09 PM, said:
Because those are your criteria for a star-worthy restaurant. With these criteria, Reichl would've spent all her time at Daniel and much of New York would have missed out on great Korean and Japanese. To get one star you need to have a wine program? Talk about a European bias--or at least a high-end bias. Al di La, a restaurant that does Italian food well deserves to be starred, but Sripraphai, a restaurant that does Thai food well, does not because there's no wine program? No cute hipster servers?
Why doesn't the Times reviewer just rotate his weekly reviews between Le Bernardin, Jean Georges, and whatever Batali's latest venture is. Then we can all read about banquettes and sous vide and opah. He fails to encourage our chefs? Doesn't one fail to encourage chefs by sticking them in $25 & Under unless they have big investors and a pedigreed chef?
Bruni might have dropped service from the mini reviews--does that mean the summary below the main review's text?--but he still writes about service in the main review. So there's your service.
Edited for italics
This post has been edited by jogoode: 18 January 2006 - 08:55 AM
Co-author of Serious Barbecue, which is in stores now!
www.jjgoode.com
"For those of you following along, JJ is one of these hummingbird-metabolism types. He weighs something like eleven pounds but he can eat more than me and Jason put together..." -Fat Guy
#27
Posted 17 January 2006 - 09:10 PM
This post has been edited by cru: 17 January 2006 - 09:14 PM
#28
Posted 17 January 2006 - 10:54 PM
cru, on Jan 17 2006, 11:10 PM, said:
You might want to reconsider suggesting that your taste and opinion are "common sense," as it seems to imply that different opinions may lack sense. I happen to disagree with your point of view, "common sense" or not. I don't see why wine service is of importance in a Korean or Thai restaurant. I'd go further and say that I'd generally be less likely to enjoy food in a Korean or Thai restaurant that had a long wine list. Thai food is more likely to be served with beer, Korean food with soju, to take some examples (not to mention tea). My feeling is that a restaurant with a long wine list is trying to appeal to non-Asians. I'm a non-Asian but don't want watered-down Korean or Thai food. And I also see nothing wrong with a starred review for Sripraphai; though one star might have been more appropriate than two, I really wasn't much bothered by the star rating.
cru, on Jan 17 2006, 11:10 PM, said:
Nothing, if that's what you want to do on your own time. But I don't think the New York Times has only Eurocentric people for an audience, and Eurocentrism, which is usually associated with some kind of prejudice against things non-European (such as a desire to square the round pegs of Thai or Korean dining into the circle of French formal service), is fortunately out of favor politically, at least in highly diverse cities like New York. And like it or not, it's predictable that New York will become increasingly Asian, Latin American, Caribbean, and African in the coming decades. (Depending on future events, a net emigration of Americans to Europe, rather than vice versa, would not surprise me. But that's a topic for another time and place...)
#30
Posted 18 January 2006 - 09:19 AM
Would anyone think it was anything other than stupid for the Times to have a policy of only reviewing mainstream Hollywood films? Or limiting their main film critic to reviewing such films, relegating independent films, foreign films, and art films to some ghetto?
And would anybody think it was anything other than stupid for the Times to officially adopt a set of criteria that favored mainstream Hollywood films over all others? (So that, say, the Charlton Heston El Cid would by definition rate higher than, say, Pretty Poison?) (Sorry for the dated -- and dating -- references.)
Or, how about if the Times had a policy that its chief opera critic could only review operas at the Met and maybe City Opera? And officially adopted a set of criteria that favored what the Met does well, and disvalued the things the Met isn't good at (such as theatricality, immediacy, programming of lesser-known or new works, etc.)?
But that's what the star system (certainly as Cru would have it -- but I think that's the way it's generally understood here) does for restaurants.
This post has been edited by Sneakeater: 18 January 2006 - 09:58 AM

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