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Gopnik then offers the views of the deconstructionist critic Eugenio Donato (1937-1983) on this subject. Though Donato’s published works seem to have focused exclusively on literary criticism, he spoke extensively to Gopnik, who says that Donato’s
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Donato claims that this 'colonisation' started as late as 1855, the year the Médoc wines were classified into the famous five growths in which they remain today, "the form of metropolitan rationalization being extended to the provincial earth, in the guise of the reflection of an order locked in the earth itself."
"Not everyone can have a tante Célestine", runs the advert for the cookery school attached to the famous Moulin de Mougins, "but now you can learn the very same tricks and techniques that she taught Roger Vergé." According to Donato (via Gopnik), the idea of tante Célestine's country cooking leading to the haute cuisine practiced by Vergé is a fraud, though perhaps not an intentional one. It is similar to the view that the Victorians 'invented' many of the traditions surrounding the British royal family.
Would French cuisine be any less enjoyable if we believed that it is a constructed art, with the "back story" of peasant origins and terroir as an ex post construct?
On eGullet, also see the "Peasant Origins" thread -- here.




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