Food pairing
#1
Posted 12 April 2011 - 01:47 PM
#2
Posted 12 April 2011 - 05:11 PM
EDIT
Also, that's cool. Cooking some steaks tonight and I'm surprised to hear they should go alright with white chocolate and smoked salmon. I mean, hazelnut? Sure. Popcorn? Heh. Milk chocolate? Really?
EDIT 2
Seemingly white and milk chocolate go well with everything ...
Edited by ChrisTaylor, 12 April 2011 - 05:14 PM.
Melbourne
Harare, Victoria Falls and some places in between
#3
Posted 12 April 2011 - 05:22 PM
#4
Posted 13 April 2011 - 04:55 AM
Edited by ChrisTaylor, 13 April 2011 - 04:58 AM.
Melbourne
Harare, Victoria Falls and some places in between
#5
Posted 13 April 2011 - 07:38 AM
chris, you are very brave. I'm content to read and speculate!
#6
Posted 14 April 2011 - 07:04 AM
Shudder. Don't believe everything you find on the Internet and don't try this at home.Also, that's cool. Cooking some steaks tonight and I'm surprised to hear they should go alright with white chocolate and smoked salmon. I mean, hazelnut? Sure. Popcorn? Heh. Milk chocolate? Really?
Edited by nickrey, 14 April 2011 - 07:06 AM.
eG Ethics Signatory
"My doctor told me to stop having intimate dinners for four.
Unless there are three other people." Orson Welles
My eG Foodblog
#7
Posted 14 April 2011 - 11:32 AM
Steak and white chocolate should go under a new thread called "two disgusting ingredients." Add smoked salmon to the same plate and that may qualify for the already existing "three disgusting ingredients."
I've never been a big fan of surf 'n' turf meals, but a mouthful of smoked salmon and rare steak seems particularly unappetizing.
#8
Posted 14 April 2011 - 01:44 PM
http://www.foodpairi...m/en/free-trial
#9
Posted 14 April 2011 - 03:23 PM
Still, I do have Niki Segnit's Flavour Thesaurus coming in the mail. I'll be curious to see if it has, er, better suggestions or if it, too, reckons white and milk chocolate go with everything. I'm interested in that, anyway. I mean, I figure it'd be the fat component, right?
Too, that second food pairing gizmo, it's basically saying spinach and milk chocolate are equally good friends with grilled beef.
Melbourne
Harare, Victoria Falls and some places in between
#10
Posted 14 April 2011 - 05:34 PM
eG Ethics Signatory
"My doctor told me to stop having intimate dinners for four.
Unless there are three other people." Orson Welles
My eG Foodblog
#11
Posted 15 April 2011 - 11:28 AM
the creation of overtones is just one creative linkage technique among many. if all aromas can be classified in terms of gustation (because of a synaesthesia-like sensory linkage), you can also link aromas from different divisions across olfaction and gustation. (ie. sweet aroma, bitter aroma, but you can also have something like many dry wines... sweet aroma, acid gustation)
two ordinary tones that have the potential to form an overtone can be combined to create the extra-ordinary. extra-ordinary sensoriality is very important to beauty.
cocktails are a good way to illustrate the point. i think its best to prove an avante-garde pairing in a drink (simplified texture) before you try is with textured food.
orange ordinary
2 oz. gin
1 oz. orange liqueur (300g/l sugar)
1 oz. lemon juice
apricot ordinary
2 oz. gin
1 oz. apricot liqueur (300g/l sugar)
1 oz. lemon juice
orange-apricot extra-ordinary
2 oz. gin
.5 oz. orange liqueur
.5 oz. apricot liqueur
1 oz. lemon juice
the orange and apricot create an overtone and because it exists between two known spaces we often find it more compelling. this is very commonly done with aromas that increase the perception of sweetness.
corpse reviver no. 2
1 oz. gin
1 oz. triple-sec orange liqueur
1 oz. lillet
1 oz. lemon juice
spoonful of absinthe
lillet is orange peel aromatized so the triple-sec linkage is almost like alliteration. the result is a spectacular overtone (the aroma of the wine base is also a significant contributor to the overtone). the anise in the absinthe is another aroma that increases the perception of sweetness, but it is perceived as a distinct interval. we like the sensation of these intervals because we are attracted to the space it takes up within the mind's eye when we perceive the drink.
it is harder to create overtones from aromas that decrease the perception of sweetness (it is also hard to classify them) because you usually end up with distinct intervals. an interesting example of an overtone might be the linking of juniper and angelica which is common to gin. the tonality of gin’s drying aromas likely becomes more extra-ordinary when angelica tonally modifies juniper.
besides beautiful overtones we also enjoy the tension between sweet aromas and the anti-sweet, but not everything "works" (is harmonious).
to use a cross sensory analogy, the aroma of smoke (anti-sweet) might be inharmonious with very "light" sweet aromas like muscat, but "darker" aromas like blackberry with the smoke might be harmonious.
margarita
2 oz. blanco tequila
1 oz. orange liqueur
1 oz. lime juice
tequila is laden with aromas from a particular part of the umami spectrum which as we all know is delicious with the grapefruit-like overtone produced by the sweet aromas of the orange liqueur and fresh lime.
all these examples are simplified. not all of the units we pair are composed of one single division like only sweet or only umami. most everything is a set of aromas. to go back to the pairing website, it seems like their linkages work not because of the things they have in common, but because of the extra things in the set.
besides the overtones some linkages might create, a lot of the pleasure might come from the tension of every other aroma that rides along.
satan's whiskers.
.75 oz. gin
.75 oz. sweet vermouth
.75 oz. dry vermouth
.75 oz. orange liqueur
.75 oz. sour orange juice
2 dashes orange bitters.
every component here has some degree of orange aromatizing which might make them seem to go together, but what really makes the drink (aromatically anyhow) is the tension between the orange overtone and everything else (juniper in the gin, various drying botanicals in the vermouths, and cardamom perhaps in the bitters).
.5 oz. kirshwasser
.5 oz. mezcal
.5 oz. sweet vermouth
.5 oz. dry sherry
.5 oz. yellow chartreuse
.5 oz. sloe gin
the aromas of this drink are seemingly unrelated and create a vast collage of the different divisions, all fairly harmonious or an easy to acquire acquired taste.
i do not think using a microscope to see various common molecules in ingredients is going to tell us what "goes together" (is harmonious). we probably need to deconstruct the multi-sensory perception of flavor, categorize aromas (probably with raw human empathy), and develop a theory of acquired tastes and harmony.
a delicious journey.
#12
Posted 20 May 2011 - 05:59 PM
I bought the flavor bible, and am using it a lot. It's well done.
#13
Posted 17 January 2012 - 08:21 AM









